Tag Archives: Magical Realism

The Bronzed Beasts by Roshani Chokshi (Review by Trisha I. ’24)

The Bronzed Beasts (The Gilded Wolves, #3)The Bronzed Beasts by Roshani Chokshi
My rating: 5 of 5 stars

The Bronzed Beasts by Roshani Chokshi felt bittersweet from the first page. As the final book of her Gilded Wolves trilogy, I’ve had this book on preorder for nearly half a year and knew that it would provide a realistic conclusion—not satisfying, but rather one just as painful and fulfilling as the twisted character arcs of the first two books set up—to a saga, and six characters, that I’ve been invested in for the better half of three years. And I think Chokshi delivered on the nuanced ending this series deserved, following five characters as they solve Da Vinci Code-esque puzzles in a race to stop evil and gain power beyond belief, the power to make their historical world anew again. She maintained her signature writing style: sensuous, precise, and almost bleeding with description and sensory imagery. She redeemed the characters who were broken—Séverin, mostly, but also Eva, who turned out to be more compassionate than the second book indicated—and gave purpose to the characters—Zofia, Hypnos, and especially my sweet history buff baby Enrique, with whom I connect on a spiritual level—who were downtrodden; and we can’t forget about quasi-Mary Sue Laila, who energizes the plot’s pacing with her literal countdown to her nineteenth birthday (and death)—Laila doesn’t need redemption or purpose, but she does get joy. If I had to nitpick, I’d say that the historical setting of this book didn’t influence this plot as strongly as in the previous two, which were brimming with descriptions of the people and places of Europe in 1890. I also felt that the character development of Hypnos, whose perspective Chokshi didn’t write until the end of book two, felt a tad rushed.

But while Chokshi didn’t tie up all her plot threads neatly or nicely—there is a good dollop of cognitive dissonance and angsty dialogue and all that jazz—I didn’t expect her to. For a series that has challenged the inclusivity and colonialist bias in history right from the author’s note of the first book, it wouldn’t make sense for these characters to end up with perfect endings in a perfect world that runs in a perfectly sensible way. They have to adjust to changes, obstacles, and losses like the rest of us do. They banter too much, but then again, they are teenagers. They get lost but find themselves again, which is all that I as a reader can ask for. I felt the need to slow down and really absorb every rich word of the last chapters, because I was saying goodbye to people I’d grown to love and leaving them in a more hopeful world—a changed world but, as the characters see it, better even if not entirely good. In a way, matching in a way the strong theme of a kind of exchange between losing something dear to gain something equally valuable permeating this series conclusion, leaving its world different from how it started but, as the characters see it, better even if not entirely good. -Review by Trisha I. ’24

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Ninth House by Leigh Bardugo (Review by James B. ’24)

Ninth House (Alex Stern, #1)Ninth House by Leigh Bardugo
My rating: 3 of 5 stars

TW for the book: Drug Overdose, Murder, Sexual Assault

As Leigh Bardugo’s debut into Adult Fantasy, Ninth House is a stunning dark thriller that takes place on the modern day Yale campus. Be aware that this book may make you question your college apps however, as there is much murder and magic afoot.

The book follows Galaxy (Alex) Stern, a freshman with an unusual ability, through various timelines as she attempts to piece together the details of an oddly familiar murder and figure out how it relates to her mentor’s disappearance. You see, Alex is by no means qualified to study at Yale, but has rather been enlisted by a governing body that oversees the activities of the university’s ancient secret societies. It is through her ability to see ghosts, called Greys in the book, that Alex is recruited as Lethe House’s new Dante, serving under the previous Dante, now Virgil, Daniel Arlington. From a hospital bed after being found overdosed on the scene of a brutal killing, to controlling the magical powers of several groups of entitled rich kids at one of the most prestigious schools in the country, Alex Stern must fight for her life and the promise of a better future.

For the record, I wanted to like this book so badly, and even having finished it I still want to. The world-building is incredible and Leigh Bardugo once again proves that somehow she can still create new magic systems as well as lovable morally-grey characters. Alex Stern had potential to be among my favorite characters I’ve read in fantasy; she’s dynamic, persistent, and brutal while also remaining very human (ever when she is very much not). This book had all the makings to be a favorite and somehow it all just fell flat.

I am by no means a slow reader, but Ninth House took me months to conquer. It’s not that there isn’t plenty of hard-hitting action, but the back and forth between timelines quickly became dizzying. I found myself frustrated that another segment had gone by without answering my biggest questions, and even once they were answered, it didn’t feel satisfying. One of my biggest red flags for a book is whether it makes me question if I, the reader, am reading it incorrectly somehow. Too often I felt I was slipping off the hook, like the line itself was too taut for me to think about anything else.

Having said that, there are some truly gorgeous scenes in this book that stand extremely well on their own, and I think it is worth reading if you have the patience for a lot of unanswered questions. Just be sure to prepare yourself as Ninth House does explore some intense topics that might be upsetting, and that I was frankly unprepared for. —Review by James B. ’24

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The House in the Cerulean Sea by T.J. Klune (Review by James B. ’24)

The House in the Cerulean SeaThe House in the Cerulean Sea by T.J. Klune
My rating: 4 of 5 stars

T.J. Klune’s The House in the Cerulean Sea is a comforting tale of an orphanage for magical children, although it isn’t an orphanage because no one goes there to adopt. What initially appears to be a light-hearted criticism of the corporate machine becomes a bright story of found family and finding your place in a world who would very much not like you around.

Most remarkable about the book is the ease with which it builds the world around the story. From only the first few pages you already know that this is a world in which magical creatures are not uncommon, but oppressed. Magical children are abandoned in “orphanages” overseen by a corporate giant. Our protagonist is Linus Baker, a caseworker at DICOMY given a top secret case by the Extremely Upper Management. It is on this case that Linus meets Arthur Parnassus, the Headmaster of an orphanage housing the six-year-old anti-christ, Lucy. It is this boy as well as many others that, despite the fact that they aren’t human, teach Linus about humanity.

I very much enjoyed this book, although I was under the incorrect pretense that it was a Queer romance first and adventure second. The romance is there, but it is far overshadowed by the odd but lovable found-family and delve into everyday oppression. Each child earns their own heart-warming spotlight, and as V. E. Schwab’s testimony on the cover says, it is indeed like being wrapped in a big gay blanket.

I don’t have any specific complaints about the book, as I’m aware that I went into it with the wrong idea of what it would be, so keep in mind that while there are elements of romance, I would not call it a romance. Either way, it’s a very fun title to add to your shelf and the characters are extremely well-done. Even though I found it underwhelming, I will be reading more T. J. Klune in the future because I fell in love with his style. —Review by James B. ’24

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Gods of Jade and Shadow by Silvia Moreno-Garcia (Review by Anika F. ’21)

Gods of Jade and ShadowGods of Jade and Shadow by Silvia Moreno-Garcia
My rating: 4 of 5 stars

At this point in my fantasy journey, it’s hard for stand-alones to impress me. Some are too short and don’t allow for enough world building or character development. Others are large tomes (like The Priory of the Orange Tree) that are pretty much a full series condensed into a brick. Similarly, Young Adult fantasy is not something I reach for, since I prefer the depth and nuance of New Adult or Adult novels.

Yet, somehow, Gods of Jade and Shadow, clearly both a decently lengthy stand-alone and a Young Adult fantasy, surprised me. While the characters and plot are interesting, what really drew me to the book was the descriptions and the storytelling. Silvia Moreno Garcia creates these lush settings with hints of magic, crossing the boundaries between our world and mythology.

Even if you’re not a big YA fantasy reader, I still think there’s a lot to gain from this book. It discusses racism and discrimination, feminism and misogyny, and the importance of charting your own path, even when your family holds you back. —Review by Anika F. ’21

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Neverwhere by Neil Gaiman (review by Fiona W. ’21)

NeverwhereNeverwhere by Neil Gaiman
My rating: 5 of 5 stars

Richard Mayhew is an average young man who lives in modern-day London with an average life and and average job. One day, he finds a ragged and bloodied girl dying on the side of the road that nobody seems to notice but him. He takes it upon himself to help her and learns that two assassins are chasing her, and a whole city resides underneath London that he never even knew about.

As I have been a fan of many of Neil Gaiman’s books, I hoped this book would not disappoint. And it didn’t. The character development of all the main characters was unique and fulfilling. The imagery of each scene made me feel like I was right alongside Richard. And the ending still had me in tears.

Gaiman mentions in the introduction that while he is not one to write a sequel, he would love to revisit the world of this book again one day. (And I hope he does, too). As someone who dislikes fantasy novels, this book changed my mind about the genre and I hope it may impact you, dear reader, as well. – Fiona W. ‘21

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Oh the Moon: Stories from the Tortured Mind by Charlyne Yi (review by Shannon H. ’16)

Oh the MoonOh the Moon by Charlyne Yi
My rating: 5 of 5 stars

Oh the moon made me laugh and made me cry with hundreds of pages that flew by (literally, some pages didn’t have words on them). The book is relatable, fun, and of course, mindblowing. The frankness of the stories gave me pause, waking me up from the banality of college applications. In one story, a woman who is ALL LEGS (literally) takes control of her destiny and runs away from her repetitive life. In another, two people who are in love are stuck in separate snowglobes — whatever shall they do? I appreciated Charlyne Yi’s randomness (like when an old lady gives birth to a giant on the second page), and her writing made me feel like she actually understood me and my optimistic cynicism (people say teenagers are the cross section of idealistic and intelligent/aware). Reading these short stories was an adventure in grasping odd metaphors, suspending disbelief, and finding the beauty of life.

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Love Medicine by Louise Erdrich (review by Andrew R. ’17)

Love MedicineLove Medicine by Louise Erdrich
My rating: 4 of 5 stars

Louise Erdrich’s Love Medicine, a sort of novel-in-stories that unflinchingly paints a portrait of Native American life in the modern world, opens with a beautifully elaborate family tree: the names get progressively more Catholic, the adoptions and marriages and remarriages more convoluted, as the generations pass. It’s a fitting way to begin this collection. Almost every person on the tree is featured either as a narrator or as a protagonist of one of the stories, but in my mind the three members of the oldest generation mentioned are the real heroes of Love Medicine. The lives of Nector Kashpaw (introduced in “Wild Geese” as a brash young tribesman), his future wife Marie Lazarre (still a teenager in “Saint Marie”), and their sometime ally Lulu Lamartine (who comes of age in “The Island”) are chronicled in full, from adolescence to old age, and it’s their obsessions and fatal flaws that ultimately give the book wings. Love Medicine has a rocky start: its younger characters, not nearly as complex or engaging as their grandparents, open the collection in a less-than-impressive introductory sequence. But the later stories are beautifully enough rendered to do their subject, the Ojibwe nation, proud.

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Bone Gap by Laura Ruby (review by Andrew R. ’17)

Bone GapBone Gap by Laura Ruby
My rating: 3 of 5 stars

Laura Ruby’s Bone Gap, while almost effortlessly unique in its setting and characters, too often gets bogged down in the tropes of other genres—especially star-crossed romance and magical realism—to feel entirely convincing or satisfying by the last page. The rural Illinois town that protagonists Finn and Roza inhabit is summed up in consistent, symbolic motifs, which Ruby invokes whenever possible: bees, cornfields, gossip, and (most effectively) the “gaps” of the title. As successful as these images are, other aspects of the novel fall flat, ultimately distracting readers from the complexity of the setting. Classic scenes of teenage social cruelty, for instance, feel painfully out-of-sync with a rural setting that is otherwise frozen in the past, and incessant references to Craig Thompson’s graphic novel Blankets quickly grow stale—especially since Ruby seems oddly reluctant to refer to that novel by name. Perhaps most disappointing are the author’s halfhearted attempts at magical realism in certain scenes, which more frequently reek of coincidence than true enchantment. Roza and Finn’s shared story has plenty to commend it, especially to fans of less traditional YA fiction, but its restless shifting between disjunct genres rendered it difficult both to follow and to enjoy. – Andrew R. ’17

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On Stranger Tides by Tim Powers (review by Elisabeth S. ’16)

On Stranger TidesOn Stranger Tides by Tim Powers
My rating: 3 of 5 stars

On Stranger Tides details the adventures of former puppeteer John Chandagnac, whose ship is captured by pirates and who is forced to change sides and become a pirate at gunpoint. He becomes “Jack Shandy,” to the pirates, and he inadvertently saves the pirate captain’s life, thus becoming a full-fledged pirate. The book was neither overwhelming nor underwhelming, neither incredibly avant-garde nor too comfortably formulaic. Jack Shandy made for an enjoyable protagonist, though the novel gets kind of muddled two-thirds of the way through. The pacing felt too slow for the kind of blow-by-blow action-adventure book it’s trying to be. It was also unfortunate that the female character was useless–too much of a damsel in distress. The romantic subplot felt too one-sided and like too much of an afterthought to engage the reader. However, the novel does improve with a highly intriguing magic system and strong characters like Davies, Blackbeard, and even Hurwood. Overall, On Stranger Tides was an entertaining read but not much more than that. – Elisabeth S. ‘16

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Beloved by Toni Morrison (review by Elisabeth S. ’16)

Beloved (Toni Morrison Trilogy #1)Beloved by Toni Morrison
My rating: 4 of 5 stars

A warning: Beloved is not for the light of heart. Sethe is an escaped slave and mother of three that heads for Ohio with her broken family, having lost her husband in flight. The trauma that she has endured as a slave and during her escape haunts her, so she does her best to repress those troubling memories. With the appearance of a figure from her past, however, she slowly begins to question the choices she once made with the interests of her children in mind. This novel is based off of real events and will sicken, disgust, and cause you great despair and shame for the United States and slavery. However, this novel also involves supernatural elements, with the presence of a main supporting character who is a manifest form of Sethe’s dead daughter. Overall, Beloved is recommended to anyone even a little bit interested in slavery for a new perspective, sorely needed as the years progress and the Civil War era seeps into the past. – Elisabeth S. ‘16

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