My rating: 5 of 5 stars
The Picture of Dorian Gray is a philosophical novel featuring main characters Basil Hallward, Lord Henry Wotton, and of course, Dorian Gray. Basil Hallward is an artist who paints a portrait of Dorian Gray, and Lord Henry is a friend of his who has extremely questionable morals and ideals, unlike those that Dorian has been exposed to before. I loved this book, mostly because of the characters themselves.
First, we have Dorian Gray, who starts off the novel as a young, naive, child-like character, but he undergoes many changes and a great deal of character development throughout the novel, mainly under the influence of Lord Henry. I honestly cannot tell if I loved or hated Lord Henry, who brings up numerous witty and intelligent insights and ways of thinking. He corrupts Dorian with his deplorable deeds and persuasive words.
Next, there is Basil, who is the foil to Lord Henry, serving as the angel to his devil. The relationships between the characters, their interactions, and how they influence each other was engrossing, although I would have liked to have seen more of Basil and Dorian.
My one main criticism of the book is that Wilde sometimes goes on long tangents describing furniture, tapestries, and other such things. However, Wilde explores the themes of depravity, corruption, and hedonism in an enthralling and captivating way, forcing the mind to think about different philosophies and their effect on a person such as Dorian. —Review by Ananya B. ‘23
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