Tag Archives: Mythology

Books That Defy Genres! (by Ms. Pelman)

One of the easiest ways to talk about books is by genre. We say, do you like mysteries? What about fantasy, or sci-fi? It’s a great way to find common ground and to seek out, or give, recommendations.

Did you know that genres follow a formula? It’s true! If you read enough mysteries or romance books, you’ll begin to see patterns. Some people really dig this for their reading, as familiarity can be comforting. Often people return to the same author over and over again because they know just what to expect.

Of course, there are times when you crave something out of the ordinary. And when that happens, books that break the mold are the most satisfying. When you want to expect the unexpected, here are a few books that blur the lines of categorization in interesting ways:


Midnight at the Electric by Jodi Lynn Anderson

The year is 2065, Adri has been preparing her whole life to be an astronaut who will help colonize Mars, and she is elated when she is chosen for the mission. When she moves from Miami to Kansas for training, she discovers a journal written by someone who lived in her house over one hundred years ago. Adri becomes increasingly absorbed in the fates of the people contained within the journal.

Since the book is told in multiple timelines, and across vast geographies, it is a satisfying blend of science fiction and historical fiction, complete with secrets, betrayals, and heartbreak.


Lovely War by Julie Berry

Romance, history, and wartime, but with a mythological kick.

When Hephaestus finds his wife Aphrodite cheating on him with his brother Ares, he convenes a trial in which Aphrodite must defend herself and her actions. To do so, she relays a harrowing story about interracial love, music, and friendship during World War I.

Beautifully written and captivating, while not shying away from historically accurate portrayals of racism and sexism, this soaring book makes a compelling case for the enduring human spirit as told by the goddess of love herself.


In Other Lands by Sarah Rees Brennan

If you think you know all about books where teenagers go to magical schools, think again.

When the obnoxious and unloved Eliot winds up in a magical realm called the Borderlands (protected by an invisible wall), he meets elves, mermaids, and other magical people. It seems like his dreams will be realized, but this is a place where expectations, stereotypes, and other prejudices are thrown out in place of the unpredictable. Eliot will fall in love and make an unexpected friend, but can he save the world while doing it?

This funny novel plays with fantasy tropes, but more than that, it turns preconceived notions of gender, colonialism, and sexism upside down and inside out.


Slaughterhouse-Five by Kurt Vonnegut

A classic work of literature by an author whose work has produced a rabid and devoted fanbase.

In this book the protagonist, Billy Pilgrim, has become “unstuck in time” so the story does not follow a linear timeline. It jumps around all over the place featuring different moments of Billy’s life.

Vonnegut’s unique writing style is at times humorous, sometimes derisive, but always memorable and moving.


Noggin by John Corey Whaley

When the story begins, Travis is a 16-year-old suffering from cancer. Once he realizes that he will not survive the illness he agrees to participate in an experimental procedure in which, after he dies, his head will be removed from his body and cryogenically frozen, to then be attached to a new body if and when the technology allows…

…It doesn’t take long and Travis is born again 5 years later, albeit with a new body. He would like, and expects, to pick up his life where he left it, but that won’t be so simple. Some of the most important people in his life, namely his girlfriend and his best friend, have been living, loving, and changing in the time that he was gone and Travis must figure out where he fits in.

This strange tale raises both philosophical and existential questions about life, wrapped up in a funny and heartfelt story about love and the nature of being.

Have you read any other books that defy genres? Share them in the comments!

The Gilded Wolves by Roshani Chokshi (Review by Anika F. ’21)

The Gilded Wolves (The Gilded Wolves, #1)The Gilded Wolves by Roshani Chokshi
My rating: 4 of 5 stars

In an alternate 1800s France, six individuals must team up to pull off the heist of a lifetime. The thieves in question are a historian, an engineer, a performer, a gardener, and an old friend, all led by an angsty leader.

The setting is full of magic and wonder. Roshani Chokshi pulls from myths from all around the world to build a rich environment: There are references to the Bible, Greek mythology, Persian stories, and Indian deities. The words themselves are also full of magic: “History is a myth shaped by the tongues of conquerors.” Atmospheric settings and writing are not necessarily for all readers, but the lush story really worked for me.

While the plot did feel convenient at times, the success of the book came not from the events that occurred, but rather from the characters. Six characters is a lot of one book to flesh out, but this one managed to make all of them have compelling stories and character arcs. Severin, the group’s leader, struggles with wanting revenge for a lost inheritance and also wanting to protect the members of his team. Hypnos (the old friend) and Severin both struggle with being mixed-race in a society that sees whiteness as paramount. Enrique (the historian) sees parallels to his Filipino heritage and the Spanish colonization of his people. Zofia (the engineer) learns to understand how emotions work as she feels more at home with chemical reactions than with life forms. Tristan (the gardener) looks up to Severin, but is reluctant to go on any heists. And Laila (the performer), has a secret: She’s not a “normal” girl, and in the next few months, she will die.

This book has been heavily compared to Leigh Bardugo’s Six of Crows, and while the idea of having to steal something is the same, the execution is completely different. Six of Crows relies on a magic system that gives certain people (the grisha) special powers. The Gilded Wolves, however, uses logic and problem solving to complete the heist. What stood out to me is how the historian and the engineer work together to solve the puzzles. In an increasingly STEM vs humanities/social sciences world, having these two rely on each other to solve problems was so refreshing.

And if I haven’t convinced you to read this yet, the sequel The Silvered Serpents came out in late 2020, and the third book The Bronzed Beasts comes out in September 2021! —Review by Anika F. ’21

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The Burning God By R. F. Kuang (Review by Alysa S. ’22)

The Burning God (The Poppy War, #3)The Burning God by R.F. Kuang
My rating: 3 of 5 stars

Two years after The Poppy War, the first part of this trilogy series, was placed into my hands, I finally finished this emotional roller coaster. By the time we reach The Burning God, Rin is no longer the petty, lost child she once was, but I became increasingly frustrated with her blunt attitude and actions, now as a war-hardened general and a powerful shaman finally in control of her powers. It takes some willpower to move past the first 8 chapters of Rin’s ruthless carnage before we see more into her reasoning and limitations.

In terms of the storyline, R.F. Kuang seamlessly maps the history of 20th century China, from millenniums of imperial rule to the Republic of China to the ensuing revolts to western imperialism, into a narrative complete with ancient Chinese mythology, folklore, and war tactics. Though we finally see an end to the war, this last book especially taught me the demanding, cutthroat decisions that political and military leaders were forced to make for the sake of their country. This insight is made all the more heartbreaking as Rin grows increasingly vulnerable to war paranoia, factional infighting, and betrayals. The added issue of defending Nikan against the technologically advanced Hesperian nation also allows readers to understand the deep history of racism and subjugation that western powers inflicted upon 20th century China.

Kuang especially highlights a universal message: history moves around in vicious circles, and Rin is no exception to that pattern. Beyond the grim storyline and much, much, much more mature issues, Kuang continues to deliver on the evocative imagery of Rin’s divine firepower, as well as develop her complicated love-hate friendships with Kitay and Nezha. Side note: I think Nezha is a beautiful character (think broken redemption arc deserving Draco Malfoy), and I love how Kuang describes his aristocratic but scarred persona. However, I wanted to see more of Nezha’s reasoning and thoughts, and I had hoped for more insight into the pain he deals with as the opposition. I gave this book three stars because, like the author says, this ending may not be satisfactory for everyone (as it wasn’t for me). However, this is still one of the most unique and exciting books that I’ve read in a while, and I hope everyone gives the series a try. —Review by Alysa S. ’22

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Gods of Jade and Shadow by Silvia Moreno-Garcia (Review by Anika F. ’21)

Gods of Jade and ShadowGods of Jade and Shadow by Silvia Moreno-Garcia
My rating: 4 of 5 stars

At this point in my fantasy journey, it’s hard for stand-alones to impress me. Some are too short and don’t allow for enough world building or character development. Others are large tomes (like The Priory of the Orange Tree) that are pretty much a full series condensed into a brick. Similarly, Young Adult fantasy is not something I reach for, since I prefer the depth and nuance of New Adult or Adult novels.

Yet, somehow, Gods of Jade and Shadow, clearly both a decently lengthy stand-alone and a Young Adult fantasy, surprised me. While the characters and plot are interesting, what really drew me to the book was the descriptions and the storytelling. Silvia Moreno Garcia creates these lush settings with hints of magic, crossing the boundaries between our world and mythology.

Even if you’re not a big YA fantasy reader, I still think there’s a lot to gain from this book. It discusses racism and discrimination, feminism and misogyny, and the importance of charting your own path, even when your family holds you back. —Review by Anika F. ’21

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Rebel of the Sands (review by Anya W. ’20)

Rebel of the Sands (Rebel of the Sands, #1)Rebel of the Sands by Alwyn Hamilton
My rating: 3 of 5 stars

A cleverly built, intricately weaved world sets the stage for our peek into the life of a desperate gunslinger in a world that has no patience for women with minds like hers, and no future for people born in places like her homeland. Hamilton seamlessly accomplished what must have been an incredibly difficult narrative feat: creating a character coldhearted enough to survive the vicious sands of her homeland, but also one human enough to still create interest and sympathy within readers. While quite a few cliche YA twists could be seen coming from a mile (or a couple chapters) away, Hamilton manages to overcome them in a page turner rife with themes not quite so common in her genre, from the fact that family isn’t always there for you, to the limits of humanity, and that kindness is not always the keystone to living.

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Daughter of the Forest by Juliet Marillier (review by Amelia H. ’19)

Daughter of the Forest  (Sevenwaters, #1)Daughter of the Forest by Juliet Marillier
My rating: 2 of 5 stars

Daughter of the Forest, a retelling of a classic fairytale, is set in the ancient British Isles. The beginning of the book follows a girl named Sorcha as she grows into a teenager and has to protect her father’s lands from invaders. She is thwarted when an evil sorceress turns her brothers into swans and she has to find a way to change them back. The setup of the book was fascinating, but Sorcha’s character arc is so conventional that I knew how the story would end when I was less than halfway through the book. Marillier’s world-building draws on folk tales and mythology and creates a vivid landscape, but the plot quickly descends into predictability. The story has promise, but anyone even vaguely familiar with fantasy tropes might as well close the book a third of the way through and fill in the rest themselves. – Amelia H. ’19

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The Lost Books of The Odyssey by Zachary Mason (review by Allison W. ’16)

The Lost Books of The OdysseyThe Lost Books of The Odyssey by Zachary Mason
My rating: 3 of 5 stars

The Lost Books of the Odyssey consists of short stories that center mainly on well-known parts of The Iliad and The Odyssey, with twists that create new perspectives on well-known mythology. Although each story is engaging and worth reading, the work as a whole is disconnected. Every “book” is independent, with some even contradicting others, which is consistent with the oral tradition of The Iliad and The Odyssey; however, this organization also causes the novel to lose its momentum between stories. A chronological ordering would have been less confusing and potentially more compelling, but even without any clear arrangement, The Lost Books of the Odyssey is worth reading for its interesting additions and alterations to Greek mythology. – Allison W. ’16

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The Blood of Olympus by Rick Riordan (review by Catherine H. ’17)

The Blood of Olympus (The Heroes of Olympus, #5)The Blood of Olympus by Rick Riordan
My rating: 4 of 5 stars

The fifth and final installment in Rick Riordan’s Heroes of Olympus series fails to impress. As the demigods of the prophecy travel on the Argo II to save the world, Reyna, Nico, and Coach Hedge struggle to travel across the world to deliver the Athena Parthenos to the Greeks as a peace offering. The gods are still split into their Greek and Roman selves due to the Romans preparing to attack the Greeks at Camp Half Blood. The Earth Mother, Gaea, is close to waking and the monsters are eager to spill demigod blood to wake her. It has its funny moments, but did not leave a lasting impression on me. In fact, the ending is incredibly cliché and nothing was particularly memorable. The series has dragged on for long enough and I’m glad that it has finally come to an end. The Blood of Olympus is alright and provides a satisfactory ending, but I only recommend it to fans of Riordan’s works. – Catherine H. ’17

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The Silmarillion by J.R.R. Tolkien (review by Andrew R. ’17)

The Silmarillion (Middle-Earth Universe)The Silmarillion by J.R.R. Tolkien
My rating: 5 of 5 stars

“There was a lady Inzilbêth, renowned for her beauty, and her mother was Lindórië, sister of Eärendur, the Lord of Andúnië in the days of Ar-Sakalthôr father of Ar-Gimilzôr.” That kind of sentence, supersaturated with unpronounceable fantasy names that make even the most hardened Tolkien fan shudder, fills the entirety of The Silmarillion. This history of Middle-Earth, which Tolkien conceived decades before publishing The Lord of the Rings, is dense—so dense that I’m surprised the story doesn’t explode from the 300-page volume—I doubt I could have survived the whole thing without the aid of the index to remind me the difference between, for instance, Elwë and Olwë or Finarfin and Fingolfin. But despite the obvious difficulties (and there are many), The Silmarillion is easily the finest and most defining example of epic fantasy I’ve ever read, resplendent with mighty gods and thunderous battles. Yes, it requires a measure of patience and plenty of free time, and, yes, its target demographic is so small you have to squint to see it, but I hope a few battle-tested Tolkien fans will still be willing to give The Silmarillion a chance. – Andrew R. ’17

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Autobiography of Red by Anne Carson (review by Elisabeth S. ’16)

Autobiography of RedAutobiography of Red by Anne Carson
My rating: 5 of 5 stars

Anne Carson’s compelling language makes this book a masterpiece in verse. Autobiography of Red is a coming-of-age story loosely based on the story of Herakles’ tenth labor (stealing the cattle of the monster Geryon). This version is set in the modern day–Geryon is still a red monster with wings, but he’s also a photographer with his own familial troubles and thirst for adventure. He meets Herakles, and they fall in love, but Herakles departs from his life shortly after, not to be seen again until years later when Geryon is taking a trip through South America. Carson’s use of unlikely yet apt description and Geryon’s singular, confused voice makes this book utterly unforgettable. His trials with an abusive brother, a feeble mother, and lost love make it surprisingly easily to empathize with the red monster. Overall, this book is recommended to all fans of poetry and mythology. – Elisabeth S. ’16

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