Tag Archives: Modern Adaptation

The Bloody Chamber and Other Stories by Angela Carter (review by Andrew R. ’17)

The Bloody Chamber and Other StoriesThe Bloody Chamber and Other Stories by Angela Carter
My rating: 5 of 5 stars

It won’t take the reader long to realize that the stories in The Bloody Chamber, the most famous book by the late British master Angela Carter, seem strangely familiar. In fact, each of the ten pieces in this collection is a direct descendent of a well-known fairy tale. “The Company of Wolves,” for instance, in which a vulnerable young girl travels alone through a wood infested with monstrous wolves, brings “Little Red Riding Hood” irresistibly to mind; and the lovers at the center of “The Courtship of Mr. Lyon” clearly represent Beauty and the Beast. Carter is much too canny a writer to freshen up these worn-out fairy tale narratives by changing the plot: none of the stories is given a modern setting, at least not overtly, and many end with “happily ever afters” if the original versions require it. What sets the stories in The Bloody Chamber apart from the tales that inspired them is a subtler kind of magic. Carter weaves a spell with her dispassionate, often slightly ironic narrative voice, which heightens the qualities of the original fairy tales—particularly their undertones of violence and sexuality—to make familiar narratives seem suddenly oppressive and strange. In Carter’s hands, even a tale ending “happily ever after” isn’t for the faint of heart. – Andrew R. ’17

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Autobiography of Red by Anne Carson (review by Elisabeth S. ’16)

Autobiography of RedAutobiography of Red by Anne Carson
My rating: 5 of 5 stars

Anne Carson’s compelling language makes this book a masterpiece in verse. Autobiography of Red is a coming-of-age story loosely based on the story of Herakles’ tenth labor (stealing the cattle of the monster Geryon). This version is set in the modern day–Geryon is still a red monster with wings, but he’s also a photographer with his own familial troubles and thirst for adventure. He meets Herakles, and they fall in love, but Herakles departs from his life shortly after, not to be seen again until years later when Geryon is taking a trip through South America. Carson’s use of unlikely yet apt description and Geryon’s singular, confused voice makes this book utterly unforgettable. His trials with an abusive brother, a feeble mother, and lost love make it surprisingly easily to empathize with the red monster. Overall, this book is recommended to all fans of poetry and mythology. – Elisabeth S. ’16

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