Tag Archives: Satire

Fortress Besieged by Qian Zhong Shu (review by Andrew R. ’17)

Fortress BesiegedFortress Besieged by Qian Zhong Shu
My rating: 4 of 5 stars

It’s a sad fact of English-language literature that the number of books translated from English and shipped around the world far outstrips that of books translated into English from other languages. That means the pool of books available to American readers in translation from, say, Mandarin is relatively limited—only works of scholarly interest, unusual acclaim, or specifically Western appeal make their way to our libraries. Fortunately, Qian Zhongshu’s classic Fortress Besieged meets all three criteria. Not only has it been the object of intense study and widespread consumption in the seventy-five years since its publication, but its consistent references to Western proverbs and literature make it uniquely relatable to an American audience. (The excellent translation by Nathan K. Mao and Jeanne Kelly also helps.) The reader follows Fang Hung-Chien, a graduate student returning home from Europe, as he stumbles through a sticky love triangle, an exhaustive trip to China’s interior, and finally a bitter and loveless marriage. The author’s intent sometimes seems to be to poke fun at every subject he can come up with, from the Chinese to the Jews, from government officials to university professors, from bachelors to husbands to women of every age. None of this, though, changes the novel’s unique and undeniable cultural value. – Andrew R. ’17

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The Circle by Dave Eggers (review by Andrew R. ’17)

The CircleThe Circle by Dave Eggers
My rating: 3 of 5 stars

Privacy in social media and on the Internet is a hot topic these days—the perfect target for some biting satire and not-so-futuristic science fiction. That’s what Dave Eggers is going for in The Circle, at least. He achieves those ends without offering much in the way of plot complexity or meaningful commentary. The storyline follows Mae Holland as she works her way up the corporate ladder of the Circle—a Silicon Valley super-corporation that seems to hold a monopoly over all the social media, scientific research, and Internet services. The section of the narrative where Mae relinquishes all her privacy to improve her standing in the company is chilling, but its impact is lessened by Eggers’s lack of subtlety in exposing the corporation’s tyranny: when the Circle’s executives make SECRETS ARE LIES, SHARING IS CARING, PRIVACY IS THEFT the new company motto, for instance, it’s hard to think of the campus as anything less than a malicious, 1984-like surveillance state. The Circle would have made a potent commentary on one of today’s most-discussed issues if it had spent more time on an intricate plot and less on too-obvious catchphrases and images of corruption. – Andrew R. ’17

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Cabbages and Kings by O. Henry (review by Andrew R. ’17)

Cabbages and KingsCabbages and Kings by O. Henry
My rating: 2 of 5 stars

You’ve probably heard of O. Henry, the early twentieth-century American author of countless humorous short stories. And the phrase “cabbages and kings” will ring a bell to anyone who’s familiar with Lewis Carroll’s nonsense poems. (One of his most famous, “The Walrus and the Carpenter,” promises to tell the story of “shoes and ships and sealing-wax / And cabbages and kings.”) But you’ve almost certainly never heard them in combination, since Henry’s collection of closely interrelated short stories has not had nearly as much staying power since its 1904 publication as, for instance, “The Ransom of Red Chief” or “The Gift of the Magi” From barbers and tintypists (a hopelessly outdated profession) to diplomats and politicians, ninety percent of the characters populating the stories’ setting, a fictional South American village called Coralio, are American; Henry seeks to satirize supposedly autonomous twentieth-century Caribbean states, whose kings, in reality, had about as much power as cabbages. Cabbages and Kings, like the nonsensical poem that inspired it, doesn’t have much to offer beyond the mildly amusing nonsense of its stories, but any O. Henry fans are still welcome to seek it out on the Harker Library’s Overdrive page in the Project Gutenberg section. – Andrew R. ’17

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Damned by Chuck Palahniuk (review by Elisabeth S. ’16)

Damned (Damned #1)Damned by Chuck Palahniuk
My rating: 2 of 5 stars

Palahniuk is known for hyperbolizing his characters to accentuate their faults (and thus, by proxy, humanity or society’s faults) and his gruesome, gritty imagery, as shown through his bestsellers Fight Club and Invisible Monsters. After the first few books, though, the same techniques get drier and drier until you end up with a book like Damned. Damned is tale of young adult Madison who ends up in hell after a marijuana overdose at her boarding school and of her further adventures with her unlikely “inmates.” This story is made unique because of Madison’s singular voice. Palahniuk’s characters are the antithesis of perfect, so flawed that readers are forced to pay attention with the same sort of attention they give a car accident or train wreck. This can prove effective at times, but in this case, there was very little cogency or cohesiveness to be found in the plot, so the novel fell short. Madison became such a caricature of a normal human being that it was impossible for me to engage and empathize with her feelings about her unlucky situation, and thus the entire novel was made simply not memorable enough to matter, despite its potential in idiosyncratic subject matter. – Elisabeth S. ‘16

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The Hunger Pains by The Havard Lampoon (review by Kai A. ’17)

The Hunger Pains: A ParodyThe Hunger Pains: A Parody by The Harvard Lampoon
My rating: 2 of 5 stars

Based on The Hunger Games, by Suzanne Collins, The Hunger Pains follows Kantkiss as she unwittingly accepts being volunteered for the Hunger Games in place of her sister, Princess, and proceeds to the Capital with the affable but pudgy Pita. The Harvard Lampoon pokes fun at Collins’s sensation, distorting it into a laughable story revolving around Kantkiss’s obliviousness, which allows The Lampoon to mock the characters and plot in a sneering, sarcastic tone. The Hunger Pains begins with an introduction of the main characters and a creatively expanded historical background, though a little too much emphasis on names and an incredible amount of stereotyping. Additionally, the humor is enjoyable but sometimes limited, starting out as juvenile and transforming into inappropriate. In summary, The Hunger Pains is a quick, easy read made for those who are easily amused and need a laugh, but nothing more. – Kai A. ’17

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