All posts by Felix Chen

The Metamorphosis by Franz Kafka (Review by Urvi S. ’27)

The MetamorphosisThe Metamorphosis by Franz Kafka
My rating: 4 of 5 stars

What would you do if you woke up in the shell of a beetle? Maybe you would panic, immediately call for help, and doom yourself to a short-lived life when you are crushed as soon as your transformation is revealed. Maybe you would remain calm, try to survive, scuttle out into the world, and live the rest of your life as a bug, surviving by the skin of your teeth. In Kafka’s novella The Metamorphosis, Gregor Samsa is placed in this uncomfortable dilemma. In part due to the engaging foreword by David Cronenberg (a prominent movie director whose focus is, fittingly, body horror) and the exceptional new translation by Susan Bernofsky, Kafka’s gruesome story comes to life.

While often considered just another ‘boring’ classic, this novella is engagingly tragic. One morning, Gregor Samsa wakes up in a beetle body. What does he do? Nothing. However, in his frankly unbothered reaction, there is a deep-rooted commentary on the harsh monotony of life, the need to maintain a constant routine throughout tragic events, and the obligation to maintain a constant image and projection of normalcy in fear of alienation and disregard. Even with this underlying theme, Kafka and Bernofsky retain the ironic humor that is a trademark of Kafka’s works. Interwoven within the sorrowful tragedy is an ironic sense of acceptance.

In Gregor’s search for acceptance, and in his futile attempts to communicate and reveal his true nature, he further separates himself from “normal” people. Once severed from a human appearance, he cannot renew the relationships that he lost. Now that he is different from the others, attempts to reach out are seen as attempts to harm, providing more material for other people to convince themselves that they are the ones in the right and that Samsa has been replaced with a monster.

Translations, as a whole, are quite hit-or-miss. When translating a work from another language, one often obscures the style and clarity of the original work. In this translation, however, the eccentric style of Kafka still shines through. Bernofsky does an outstanding job of conveying the obscure, and sometimes vague, descriptions and metaphors. Although some concepts are hard to preserve, her afterword, entitled “The Death of a Salesman”, explains the historical context and some of the more difficult ideas exceptionally well.

Overall, I really enjoyed the concept and writing style of this novella. For such an odd concept, Kafka manages to write a humorous and engaging piece of literature. The wording and prose are especially striking. In the confluence of Kafka and Bernofsky, a beautiful piece of writing emerges. I would highly recommend this piece to anybody looking for a work that is humorous yet saddening at the same time. —Review by Urvi S. ‘27

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Lightlark By Alex Aster (Review By Kristiyan K. ’27)

Lightlark (Lightlark, #1)Lightlark by Alex Aster
My rating: 4 of 5 stars

Ugh, Lightlark. My go-to birthday present to all my book besties. Let’s talk about it. The book’s premise immediately drew me in with its concept of an island that reappears once every hundred years, setting the stage for a dangerous game of deceit and conflict among century-old rulers striving to break their kingdoms’ curses. Picture the intensity of the Hunger Games intertwined with fantasy, a cute and steamy romance, magical powers, hidden agendas, alliances, and betrayals. The world-building and lore were very strong, painting a vivid backdrop for the story.

However, I must admit that the writing style left something to be desired. While some parts were super scream-into-a-pillow good, the overall flow felt somewhat stiff and forced at certain points. Thankfully, the quality of the prose noticeably improves later, in the sequel.

But don’t let the writing throw you off! The plot twists? Oh my gosh, I was NOT expecting those. They hit out of nowhere, and they hit HARD. I had to pause and reread parts because I was so shook. This book wins the gold for best plot twists against every other book I’ve read. Sorry, Agatha Christie!

And the characters? They were a whole rollercoaster of emotions. I was rooting for one guy, then the other, then both, then neither? This was a love triangle done right! This book puts a huge focus on the “romance” in romantasy, if you’re into that kind of thing, and let me tell you, the enemies-to-lovers and friends-to-lovers tropes were done right.

I usually never read books in one sitting, but for this one I did. I stayed up way too late reading this book. I’m talking past 1 a.m. late. I was so invested in these characters and what was going to happen next. The ending? Don’t even get me started. I’m still mad about it, and I doubt I’ll ever get over it.

In conclusion, Lightlark is an exhilarating rollercoaster of a read. It’s packed with action, drama, and romance, culminating in a cliffhanger that will leave you begging for the next book. However, I must warn you that the writing style in the first book may come across as cringey at times. Despite that, I wholeheartedly recommend giving it a read – just make sure to have Nightbane (the sequel) ready to satisfy your craving for more. Be prepared to have your heart thoroughly tugged and twisted! —Review by Kristiyan K. ’27

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A Deadly Education By Naomi Novik (Review By Lily P. ’27)

A Deadly Education (The Scholomance, #1)A Deadly Education by Naomi Novik
My rating: 4 of 5 stars

I came into A Deadly Education without very high expectations, since I’ve been told people found this “boring,” but I cannot express how much I enjoyed this book. While I do agree that there is plenty of info-dumping (which probably makes up 50% of the book), I thoroughly enjoyed it, as it mimicked a train of thought that suited the narration. I found the elements of the magic system and the worldbuilding to be quite well done: while I admit it was excessive at times, it helped me disconnect from reality for some time, as all good fantasies tend to do.

I am a total sucker to all things with a magic school involved, and the Scholomance did not disappoint. Novik used quite a different approach from the usual magic academies – the Scholomance is a school that appears evil, with hoards of monsters ready to tear apart the students. This school isn’t trying to be what it’s not. In a way, it has its own personality, and its goal is to be as aggravating and dangerous to the students as possible. While it kills many students, the school’s method also helps train the rest and acclimate the strongest to the real world. It’s survival of the fittest.

Speaking of the fittest, take our main girl, Galadriel or El. The unique characters were by far my favorite parts of the book. They might at first seem unlikable or naive, but as the story progresses, these characters and their interactions with others are golden. El is moody, antagonistic, and relatively unfriendly, and her slightly ominous personality seeps into the narration. However, it becomes quite clear that underneath gloomy and slightly obnoxious exterior, El is brave, thoughtful, and caring, more than she herself would care to admit. She empathizes with people despite her best efforts to remain aloof, and she understands what it’s like to be at the bottom of the food chain. However, she also knows that she alone can do nothing to truly bring change. El goes through a serious mental shift when she reassesses her goals and morals, and if I go on more I’ll probably spoil the beautiful thought dumps she has. Trust me, it’s heartwarming. There’s nothing better than a character whom you feel for deeply, and I’m happy to say that El truly became a protagonist I could cheer for.

(Side note–this book does a pretty decent exploration of the elite and the underprivileged and all the interactions between these two pretty distinct groups. It has that conflict central to dark academia but in a more lighthearted tone and setting. So if you’re interested in that, definitely check this out!)

Another character I loved was our shining hero, Orion Lake, who goes around saving the day and pretty much messing up the whole balance of the school. While at first he appears clueless and naive, his banter with Galadriel rivals that of the best romance novels. Their relationship progresses rather slowly, but it’s that background burn that always hits different. They’re just so awkward and endearing. I love it. In addition to our two mains, Galadriel makes more friends and forms a found family that genuinely supports one another in a way quite rare in the cutthroat academy. Their whole little group are such cinnamon rolls.

This isn’t a perfect book. The narration drags on sometimes, the explanations are a little confusing at times, and the plot is a little nonexistent. But even with these characteristics, I thoroughly enjoyed A Deadly Education.

Be warned–don’t expect a complex plot when going into this book. In fact, I’d say that the dark academia vibes and actual worldbuilding took a big priority over plot (if it exists). If you’re someone who is all about fast-paced books without too much convoluted explanation or prefer intrinsically likable characters, maybe stray away from this book. But if anything else from this review sounded like it might be up your alley, I’d strongly recommend you check this book out!

BTW, thanks for listening to my ranting. I appreciate you! 🙂 —Review by Lily P. ’27

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Seasonal Reads: Autumn and Spooky (By Leah K. ’27)

I know it’s past Halloween and already November, but I don’t want to let go of autumn or spooky season just yet. So, if you’re like me and still want to read something that will put you in the mood for fall, then I have seven recommendations for you.

Frankenstein, by Mary Shelley.
If you haven’t already read this spooky classic, I highly recommend it. This one is for those who prefer books on the darker side. It’s about a young scientist who creates a monster and tries to figure out how to rectify the situation… I won’t say anything more. You’ll have to read it and find out.

Any of the Sherlock Holmes stories by Sir Arthur Conan Doyle.
Again, this is a classic, and if you haven’t read them you absolutely should. These stories just have all the dark Victorian, slightly spooky vibes. If you like a good mystery, you should pick up one of the stories. My personal favorites are “A Study in Scarlet” and “The Hound of the Baskervilles.”

Anne of the Island by L.M. Montgomery.
If you read Anne of Green Gables when you were younger and fell in love with Anne, I strongly suggest you give this book a chance. It features an older Anne Shirley-Cuthbert who is now studying at university.

The Graveyard Book by Neil Gaiman.
This is a good spooky read. It’s about a boy who is raised by ghosts in a graveyard. It’s humorous, witty, and just a little bit creepy.

The Bakeshop at Pumpkin and Spice by Donna Kauffman.
If you like romance, then I suggest you pick this one up. In addition to a cozy romance, it features New England autumn, Halloween, and lots of pumpkin spice vibes.

Practical Magic by Alice Hoffman.
I think most people have heard of this one, but it’s a witty, witchy book about two sisters who are the descendants of witches and are outsiders because of it. Plus, if you’ve already read this one, try Magic Lessons or The Rules of Magic.

Nine Liars by Maureen Johnson.
This is a modern mystery, and it’s actually an add on to a trilogy called Truly Devious. You don’t have to have read the trilogy to read this book, though. It’s set in autumn and features amateur teen detective Steevie.

—Post by Leah K. ’27

Creep by Eireann Corrigan (Review by Varun F. ’24)

CreepCreep by Eireann Corrigan
My rating: 2 of 5 stars

Eireann Corrigan’s Creep is a horror novel revolving around the haunted 16 Olcott Place, and its written in a first person point of view from a neighbor of 16 Olcott Place, Olivia.

Let’s start off with the positives. The characters, albeit one-dimensional, are likable and tend to make realistic decisions during the story. The first-person perspective is easy to relate with, and the descriptions of 16 Olcott Place are incredibly illustrative. In addition, Corrigan’s writing style, with frequent uses of foreshadowing, work perfectly within this novel.

When I picked this book up from the library and read through the quick summary on the back of the cover, I expected the novel to have supernatural themes. I was intrigued by “the Sentry” and his mysterious notes, but my excitement was sadly unjustified. The book had no supernatural elements at all, and the only point of conflict between the antagonist and protagonists was at the end of the book. Due to these two elements of the book, I didn’t feel like I was reading a horror novel at all, as it lacked the much-needed scare factor.

I have nothing against this novel, but I certainly won’t be recommending it in the future.—Review by Varun F. ’24

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These Violent Delights (Review by Sriya B. ’22 )

These Violent Delights (These Violent Delights, #1)These Violent Delights by Chloe Gong
My rating: 4 of 5 stars

TW: gun violence (major), gore (major), transphobia (moderate), racism/xenophobia (minor).
I picked this book up because someone told me it was a Romeo and Juliet retelling, but they didn’t tell me it was a Romeo and Juliet retelling set in 1920s crime-run Shanghai about star-crossed ex-lovers putting aside the blood feud between their gangs to prevent a monster from terrorizing their city.

Between the ruthless gangs, the rekindling of first love, and the dramatic ploys of various nationalities trying to gain control of Shanghai, this story delivers on so many fronts.

I can definitely see how this follows Romeo and Juliet, but at the same time, it feels entirely different. It’s the perfect kind of retelling, with the right balance of new and original. Chloe Gong successfully took a beloved classic and retold it with new culture, queer representation, and modern themes surrounding misogyny and racism, while also staying true to the core themes about love, loyalty, and betrayal.

The writing, while slow and long-winded in some areas (I might have lightly skimmed here and there), has beautiful descriptions and quotes you’ll want to write down and remember forever. As someone who has been reading a lot of YA romance lately, coming back into fantasy was a bit of a shock, but the way Chloe Gong navigated the multiple POVs and plot without confusing me was amazing. Of course, this way of ornate telling might not be your cup of tea, but I recommend you give it a try anyway! Oh, and the ending had me running to the library to get the sequel.—Review by Sriya B. ’22

If you like this book, Sriya also recommends The Gilded Wolves and An Ember in the Ashes.

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Ninth House by Leigh Bardugo (Review by James B. ’24)

Ninth House (Alex Stern, #1)Ninth House by Leigh Bardugo
My rating: 3 of 5 stars

TW for the book: Drug Overdose, Murder, Sexual Assault

As Leigh Bardugo’s debut into Adult Fantasy, Ninth House is a stunning dark thriller that takes place on the modern day Yale campus. Be aware that this book may make you question your college apps however, as there is much murder and magic afoot.

The book follows Galaxy (Alex) Stern, a freshman with an unusual ability, through various timelines as she attempts to piece together the details of an oddly familiar murder and figure out how it relates to her mentor’s disappearance. You see, Alex is by no means qualified to study at Yale, but has rather been enlisted by a governing body that oversees the activities of the university’s ancient secret societies. It is through her ability to see ghosts, called Greys in the book, that Alex is recruited as Lethe House’s new Dante, serving under the previous Dante, now Virgil, Daniel Arlington. From a hospital bed after being found overdosed on the scene of a brutal killing, to controlling the magical powers of several groups of entitled rich kids at one of the most prestigious schools in the country, Alex Stern must fight for her life and the promise of a better future.

For the record, I wanted to like this book so badly, and even having finished it I still want to. The world-building is incredible and Leigh Bardugo once again proves that somehow she can still create new magic systems as well as lovable morally-grey characters. Alex Stern had potential to be among my favorite characters I’ve read in fantasy; she’s dynamic, persistent, and brutal while also remaining very human (ever when she is very much not). This book had all the makings to be a favorite and somehow it all just fell flat.

I am by no means a slow reader, but Ninth House took me months to conquer. It’s not that there isn’t plenty of hard-hitting action, but the back and forth between timelines quickly became dizzying. I found myself frustrated that another segment had gone by without answering my biggest questions, and even once they were answered, it didn’t feel satisfying. One of my biggest red flags for a book is whether it makes me question if I, the reader, am reading it incorrectly somehow. Too often I felt I was slipping off the hook, like the line itself was too taut for me to think about anything else.

Having said that, there are some truly gorgeous scenes in this book that stand extremely well on their own, and I think it is worth reading if you have the patience for a lot of unanswered questions. Just be sure to prepare yourself as Ninth House does explore some intense topics that might be upsetting, and that I was frankly unprepared for. —Review by James B. ’24

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The House in the Cerulean Sea by T.J. Klune (Review by James B. ’24)

The House in the Cerulean SeaThe House in the Cerulean Sea by T.J. Klune
My rating: 4 of 5 stars

T.J. Klune’s The House in the Cerulean Sea is a comforting tale of an orphanage for magical children, although it isn’t an orphanage because no one goes there to adopt. What initially appears to be a light-hearted criticism of the corporate machine becomes a bright story of found family and finding your place in a world who would very much not like you around.

Most remarkable about the book is the ease with which it builds the world around the story. From only the first few pages you already know that this is a world in which magical creatures are not uncommon, but oppressed. Magical children are abandoned in “orphanages” overseen by a corporate giant. Our protagonist is Linus Baker, a caseworker at DICOMY given a top secret case by the Extremely Upper Management. It is on this case that Linus meets Arthur Parnassus, the Headmaster of an orphanage housing the six-year-old anti-christ, Lucy. It is this boy as well as many others that, despite the fact that they aren’t human, teach Linus about humanity.

I very much enjoyed this book, although I was under the incorrect pretense that it was a Queer romance first and adventure second. The romance is there, but it is far overshadowed by the odd but lovable found-family and delve into everyday oppression. Each child earns their own heart-warming spotlight, and as V. E. Schwab’s testimony on the cover says, it is indeed like being wrapped in a big gay blanket.

I don’t have any specific complaints about the book, as I’m aware that I went into it with the wrong idea of what it would be, so keep in mind that while there are elements of romance, I would not call it a romance. Either way, it’s a very fun title to add to your shelf and the characters are extremely well-done. Even though I found it underwhelming, I will be reading more T. J. Klune in the future because I fell in love with his style. —Review by James B. ’24

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