My rating: 4 of 5 stars
TW for Normal People: Sexual assault and suicide
The first thing I noticed when I started Sally Rooney’s Normal People was that she does not use quotation marks in dialogue. What was initially jarring became understandable to me over the course of the novel. At the heart of Rooney’s writing is an innate desire to fully immerse the reader into the narrative; in real life, we don’t talk or perceive language with quotation marks, and her aversion towards such conventional punctuation made me feel as though I myself was a side character in the book, watching the story unfold with an outside, yet involved, perspective.
Rooney’s sentences are short, blunt, and zany. At first glance, her words leave almost no room for interpretation, but she also manages to craft an intense, emotionally draining and, at times, frustrating love story that leaves an impact. It’s perhaps for this reason that people either seem to adore Rooney’s writing or despise it. It takes a while to get used to, especially after reading the more standard works of basically any other established author.
Normal People takes a classic, time-and-time-again-told story of misunderstanding amid romance while weaving key threads of social class, mental turmoil, and simultaneous self-discovery and self-depression. It’s impossible not to sympathize with the lead characters, Marianne and Connell, as they make their individual footprints in their legacies while constantly surrounded by the other’s memory and presence.
They start a clandestine relationship with one another in their senior year of high school with the cliche trope of a popular soccer player and a quiet, misunderstood ugly duckling. What separates Normal People from any other coming-of-age romantic comedy is an unmistakable backdrop of social inequality, emotional uncertainty, and poignant thoughts of philosophy and self-questioning, which are furthered by a strong use of the third person.
Rooney has an irksome talent to keep the magnetically attached Marianne and Connell in her books apart at the most inopportune moments, a trope that gets exasperating after the first couple times. But as she puts it, “All these year they’ve been like two little plants sharing the same plot of soil, growing around one another, contorting to make room, taking certain unlikely positions.”
And of course, a key hallmark of Rooney’s books is a disappointing ending that almost came off as a final “screw you” to the reader after having been swept up in Marianne and Connell’s intertwining tale for so long. But it was impossible for me to stay annoyed for long after having reflected on the profound impact that this book had on me, my perception of myself, and my understanding of how I’m perceived in the world around me. —Review by Varsha R. ’21
For those who enjoyed Normal People, Varsha also suggests Conversations with Friends by Sally Rooney and The Outline Trilogy: Outline, Transit and Kudos by Rachel Cusk.
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