All posts by mspelmanlibrarian

Skyscraping by Cordelia Jensen (review by Anya W. ’20)

SkyscrapingSkyscraping by Cordelia Jensen
My rating: 3 of 5 stars

Mira doesn’t know what she would call a major turning point in her life. Was it the walk when she decided that this year’s yearbook theme would be New York City? Was it the day she found her father in bed with his TA? Was it the day when she found out about her parent’s open marriage? Was it the day she found out that her family had no time left?

At some point though, Mira shut down, and she can’t-isn’t-won’t ever be the same again.

Jensen’s novel written in free prose is a heart wrenching expose on the beautiful, terrible mess we call family. She writes unflinchingly of parents’ mistakes and the intolerance of youth, and manages to still infuse it all with a sense of understanding, and of the importance of acceptance and compromise. I love how dynamic her main character is, and how Jensen still allows the side character be multifaceted, with their own emotions and goals. While some plot points may seem trite, they are at least comparatively minor. This is a good, solid read that won’t leave you feeling like you wasted your time. – Anya W. ’20

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Powerless (The Hero Agenda, #1) by Tera Lynn Childs (review by Anya W. ’20)

Powerless (The Hero Agenda, #1)Powerless by Tera Lynn Childs
My rating: 3 of 5 stars

A mark to determine it all: a Hero, a Villain, or nothing–like Kenna, daughter of the late head of the superhero league. Kenna is sick of living life as an extra, and as the only child of Dr. Swift, the superhero league’s most loyal scientist, she has the resources to work on her project–even if it’s not technically approved. She’s determined to make her own place in the world, come hell or high water, or (hot) Villians, or shadowy conspiracies from the Heroes she reveres, or kidnapped teenagers, or friends dating on the dark side, or missing mother, or… you get the idea.

The book is good, and has great potential as part of a series, however, as a standalone, it feels like it could use some work. While Powerless‘s exposition is folded seamlessly into the storytelling, there isn’t quite enough worldbuilding. At the end of the novel, a snippet of the next book in the series reveals some crucial details that the main character would have known (and should have thought of) during her long periods of questioning everything in the first book.

The requisite YA romance is impulsive in a way that is rather out of character for Kenna. It also suffers a bit from the “guy can ignore boundaries if it is to protect the girl, because it is romantic” trope. If the main couple’s relationship is ignored, however, Powerless is an excellent story with a realistic main character (even if the others are somewhat flat), an intriguing (if somewhat rushed) plot, and strong friendships. – Anya W. ’20

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The Village Bride of Beverly Hills by Kavita Daswani (review by Anya W. ’20)

The Village Bride of Beverly HillsThe Village Bride of Beverly Hills by Kavita Daswani
My rating: 4 of 5 stars

Priyanka’s aunt told her she would be happiest if she didn’t expect too much from marriage if she was obedient and kept quiet and kept the house. So a week after meeting Sanjay, like a good daughter, she packs up for a new name, a new family, and a new country. Of course then, when her new in-laws inform her that she is to take a job and contribute to the household finances, that’s exactly what she does. She’s still not quite sure how she went from a secretary to a reporter, though.

Kavita Daswani’s bittersweet novel is a story about finding oneself in the midst of difficulties. While I first read the novel several years ago, I feel that a second read allowed me to understand better the facets of the characters: how Priya’s hopeless malleability stems from naivetee and fear, but not weakness of character, Sanjay’s blind but well-intentioned misogyny, and how most characters, no matter how kind or cruel they seem, are simply attempting to fulfill their own motivations, even if it means using Priya, and how her failure to completely escape the cycle that chains her down for being a women is not a romantic ending but a precursor to future tragedies.

At its surface level, The Village Bride of Beverly Hills is an enjoyable beach read; beneath, it has enough questions and conflicts to prompt several essays. – Anya W. ’20

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The Gentleman’s Guide to Vice and Virtue by Mackenzie Lee (review by Tasha M. 20)

The Gentleman's Guide to Vice and Virtue (Montague Siblings, #1)The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee
My rating: 5 of 5 stars

When Henry “Monty” Montague embarks on a Grand Tour of Europe with his best friend, he expects a year of glitz, of parties and flirting, and just generally enjoying himself. He does not expect to be the target of a manhunt.

The Gentleman’s Guide to Vice and Virtue is easily the best historical fiction I’ve ever read. Without bogging the reader down with details, Lee weaves in a few key historical points. Additionally, the tone of the writing was perfect – right from the first page, I knew that Monty was part of the British aristocracy simply from the narrative style. The plot was engaging right from the start, accelerating beautifully right up until the end. I also appreciated the lack of an “epilogue” chapter that only serves to tie up loose ends.

Lee develops her characters spectacularly. I found myself invested in Monty’s growth from a devil-may-care attitude to someone who genuinely cared for the people he was close to. The romance was believable; Monty and Percy did fight as opposed to staying in a utopian love the entire time.
In short, The Gentleman’s Guide blew me away in every respect, and I would recommend it to anyone looking for a good fiction book. – Tasha M. ’20

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Sourdough by Robin Sloan (review by Tasha M. ’20)

SourdoughSourdough by Robin Sloan
My rating: 4 of 5 stars

Lois Clary, a typical Silicon Valley programmer, receives a sourdough starter from two brothers who are part of a small community called the Mazg. As Lois bakes with the starter, she observes strange effects – each loaf has a face in the crust. She quits her job and devotes herself to running a stall at a farmer’s market, where she encounters rather eccentric products – from cricket cookies to fungus-infected lemons – and a vendor who has a dark idea about how to use Lois’s unique sourdough starter.

Although the plot moves slowly at first, it soon accelerates and finishes with a conclusion that truly provides closure. However, I definitely wanted to see more of Lois’s internal journey, especially at key moments like quitting her job. Nevertheless, this lack did not significantly change the experience – Sourdough, still forced me to distance myself from the comfortable world I know and consider larger things.

Sourdough is less an entertaining read than a meditation on life in all forms and the impact of technological progress. If you can get past the premise (which, I will admit, I was skeptical of at first), Sourdough will make you contemplate that which we know but never stop to really observe. – Tasha M. ’20

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Long Way Down by Jason Reynolds (review by Sofie K. ’20)

Long Way DownLong Way Down by Jason Reynolds
My rating: 5 of 5 stars

“People always love people more when they’re dead.”

In Will’s world, it’s kill or be killed. In this world, you don’t grieve or cry over deaths, you get revenge. That’s what he thinks as he steps onto the elevator, gun tucked in his waistband, ready to kill the man who took his brother’s life. And then the elevator stops, and someone he long thought to be dead enters the elevator and asks him to check if the gun is even loaded.

Long Way Down is not a story about love or happy endings. It’s a story about revenge, morals, and family. It’s about discovering truths hidden under lies, and discerning right from wrong.

It’s also poetry. You don’t see many books written through poetry in the YA genre these days.

In just a single elevator ride, Long Way Down managed to make me feel a myriad of emotions ranging from sadness to anger and shock. The characters were expertly developed, and the concept was gut-wrenchingly original. Each verse of the poems is laced with deep emotion and heavy messages and morals, and it just about makes you scared of what could come through those elevator doors. – Sofie K. ’20

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To Catch a Killer by Sheryl Scarborough (review by Sofie K. ’20)

To Catch a Killer (Erin Blake #1)To Catch a Killer by Sheryl Scarborough
My rating: 4 of 5 stars

There’s always that one kid in every high school that everybody knows for some reason, whether good or bad. That’s Erin Blake, found next to the dead body of her mother when she was just two years old, now obsessed with finding the culprit with the help of her two friends and biology teacher. But when another murder and some conveniently placed evidence that may or may not link her to the crime scene turn up, Erin finds herself of the other side of the Do-Not-Cross line as a suspect.

To Catch a Killer definitely appealed to the murder mystery loving side of me. It was a fast paced book with fairly likable characters, although the romance in the book was rushed to a point where it almost seemed like a separate story altogether. It was well paced for a short book, and the plot kept me engaged until the end. I would definitely recommend this book to someone who wants a quick read, or just a book to curl up with for fun. – Sofie K. ’20

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Warcross by Marie Lu (review by Tasha M. ’20)

Warcross (Warcross, #1)Warcross by Marie Lu
My rating: 4 of 5 stars

Marie Lu’s Warcross at first seems like an overdone virtual reality dystopia, but provides a somewhat original take on the topic. Emika Chen, a hacker barely able to pay rent, shocks the world by “glitching” into the international tournament of Warcross, the most popular virtual reality video game. The creator of Warcross enters her into the tournament to gain inside information on someone trying to infiltrate the systems.

Lu’s future world is believable and immersive. The description was well-mixed with plot that was engaging and moved at a decent pace; however, the ending confused me and seemed like it should have been the first chapter of the sequel.

The characters were incredibly well-developed, especially Emika. She comes off as a strong, knowledgeable protagonist, but later on, her vulnerable side begins to show. While I would have liked to know more about the supporting characters, they had unique personalities. Also worth noting is the characters’ diversity: along with the Asian-American protagonist, Warcross features a disabled character, a gay character, and a Hispanic character. My only criticism is that the romance seemed forced.

All in all, Warcross is an enjoyable but not spectacular read, especially for fans of YA or science fiction. – Tasha M. ’20

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The Hate U Give by Angie Thomas (review by Sara Y. ’21)

The Hate U GiveThe Hate U Give by Angie Thomas
My rating: 5 of 5 stars

The Hate U Give by Angie Thomas showcases the current struggles and protests of African Americans through the perspective of a relatable teenage girl, Starr. While driving back from a party, Starr witnesses the death of her childhood friend Khalil after a Caucasian police officer pulls them over and shoots him. Khalil was unarmed. Starr struggles to use her voice to speak up for Khalil and his family amid the chaos that has become her life, facing problems with her friends and family. The writing pulls the reader into the story with its dynamic plot and complex characters. The Hate U Give, which has gotten a movie and will be in theaters this October, is an eye-opening must-read story about race and social class for teenagers and adults alike. – Sara Y. ’21

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Amatka by Karin Tidbeck (review by Sophia G. ’21)

AmatkaAmatka by Karin Tidbeck
My rating: 5 of 5 stars

Amatka by Karin Tidbeck is a rare treasure that avoids all the cliches other modern dystopias tend to fall into. The world we are transported to is foreign and yet not so. We follow a woman who relocates to a foreign colony because of her job change. In her exploration of her new surroundings, she begins to question the order from which she came. The characters we are introduced to are real in an almost literal sense, the book makes you take a different look at both yourself and the people around you. The book is classified as ‘surrealism’ and it is certainly that. If you are one for reading books which are always perfectly logical and have a lack of ambiguity, this read is not for you. If you are interested in the function of language, the concept of necessity, the promise of revolution, or leaving behind all that is known, check out the book today.

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