Tag Archives: Non-fiction

Dear Friend, from My Life I Write to You in Your Life by Yiyun Li (review by Andrew ’17)

Dear Friend, from My Life I Write to You in Your LifeDear Friend, from My Life I Write to You in Your Life by Yiyun Li
My rating: 3 of 5 stars

A few months after I finished Gold Boy, Emerald Girl, the Chinese-born writer Yiyun Li’s 2010 story collection, only one piece lingered in my mind: a novella, entitled “Kindness,” about a girl’s complex relationship with her female commander in the Chinese army. The storytelling style of “Kindness” is pretty run-of-the-mill realism, but there was something in the narrative, some hint toward a deeper melancholia, that stuck with me. Li’s brand-new memoir, Dear Friend, from My Life I Write to You in Your Life, helps pinpoint what that profound sadness is and where it comes from. Li wrote these essays during her years-long struggle with suicidal depression, but most often she presents recollections from earlier in her writing life. One essay deals with her decision to forsake Chinese entirely and write in English, another with her unlikely friendship with the legendary Irish writer William Trevor, a third with her mentor at the Iowa Writers Workshop, a man just as flawed as the commander from “Kindness.” The publisher bills this memoir as a “richly affirming examination of what makes life worth living.” It’s not. The essays here are pained and painful, meditative and often oppressively sad. Readers willing to brave all that will find insight on nearly every page into the particular somberness of Li’s life and art. – Andrew R. ’17

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Black Square: Adventures in Post-Soviet Ukraine by Sophie Pinkham (review by Tiffany Z. ’17)

Black Square: Adventures in Post-Soviet UkraineBlack Square: Adventures in Post-Soviet Ukraine by Sophie Pinkham
My rating: 3 of 5 stars

Despite the subtitle, Black Square is not just about Ukraine. It is about the shrapnel the explosive nineties left in Russian and Ukrainian society, from the free travel of drugs that accompanied free borders, to Ukrainians’ struggle with their Soviet inheritance every Victory Day. Through anecdotes from Ukrainian and Russian colleagues and her own travels, Pinkham paints a portrait of Ukraine from the early 2000s to 2015 that, though vivid, falters in its attempt to illustrate a multifaceted society. Though she tries to cover all classes and regions in Ukraine, too often does she fall back on experiences with overwhelmingly young, artistic hipster types from Kyiv and western Ukraine. Some parts, like her discussion of the Donbas, almost entirely lack in-depth firsthand testimonies, even though those would have bolstered already interesting arguments rare in Western media. I wanted to see more like her coverage of the 2013-14 Maidan protests: though she did not attend them, she drew on rich historical contexts and personal interviews to represent the complex dialogue surrounding Ukrainian identity. Pinkham’s work sheds vital light on post-Soviet daily life, but I hesitate to extend Black Square from highly recommended for Russia-Ukraine aficionados to required reading for all. – Tiffany Z. ’17

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A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx by Elaine Showalter (review by Andrew R. ’17)

A Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie ProulxA Jury of Her Peers: American Women Writers from Anne Bradstreet to Annie Proulx by Elaine Showalter
My rating: 3 of 5 stars

Ours is a young nation, and its literature is a young literature. But in A Jury of Her Peers: American Women’s Writing from Anne Bradstreet to Annie Proulx, feminist scholar Elaine Showalter profiles the enormous amount of progressive, boundary-pushing material that’s come out of America since the days of the Pilgrims. The writers featured in this encyclopedic book—more of a literary reference guide than a readable chronological account, although a few chapters are marked exceptions—tend to weigh toward the nineteenth century, with novelists like Harriet Beecher Stowe getting far more individual attention than the more modern women writers whose names come to mind when we think back on American literature. Civil War–era authors like Catherine Sedgwick may be in more dire need of recognition than better-known writers, but, with familiar names like Dorothy Parker and Flannery O’Connor on their way a few chapters later, it’s hard for the reader to stay invested in the dustier, more distant history of these early chapters. The core of the book is a long, engaging, and appealingly written dual portrait of Wharton and Cather. If Showalter had adopted this storytelling mode for the rest of the book, A Jury of Her Peers would have been not just informative but enjoyable, too. – Andrew R. ’17

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Flash Boys: A Wall Street Revolt by Michael Lewis (review by Tiffany Z. ’17)

Flash Boys: A Wall Street RevoltFlash Boys: A Wall Street Revolt by Michael Lewis
My rating: 3 of 5 stars

Picture a stock market: If you imagine yourself ringing up a broker and asking him to find a seller for, say, 10,000 shares of Google, you’re about ten years behind. Welcome to the world of e-trading, where you and your seller can theoretically exchange stocks electronically without needing to go through that pesky broker. But high-frequency traders—the people behind the mysterious flash crash of May 6, 2010—are out to squeeze the profit out of you both, and a small handful of talented, dedicated people want to change that. Flash Boys is an intricate yet accessible history of the contemporary stock market and a handy introduction to the tactics (and profit-mongering) of high-frequency trading. But it’s also the encouraging story of the rare few who, instead of putting their talents to squeezing every last penny out of unsuspecting investors, choose to set a moral example so that one day, we may stop thinking of the terms “fairness” and “Wall Street” as polar antonyms.

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Is Everyone Hanging Out Without Me? by Mindy Kaling (review by Melissa K. ’18)

Is Everyone Hanging Out Without Me? (And Other Concerns)Is Everyone Hanging Out Without Me? by Mindy Kaling
My rating: 4 of 5 stars

Television personality Mindy Kaling has an opinion about everything, from the ideal level of fame to men’s chest hair. In her first book, she recounts stories of photo shoot fiascos, lists her favorite moments in comedy, shares her elaborate “Revenge Fantasies While Jogging.” While her memoir may read like a series of unrelated essays—she might transition from a chapter about “Karaoke Etiquette” to a chapter about “Day Jobs” without so much as a page break—the lack of flow reflects Kaling’s writing style: spontaneous, bold, and prone to going off on hilarious tangents.

As a size eight Indian woman, Kaling is the minority in Hollywood. She could have easily preached to her readers or reveled in her own achievements. Luckily, she wrote a much more enjoyable book instead: one filled with sarcastic humor, random entertaining facts, and insightful observations. Highly recommended.

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The Rape of Nanking: The Forgotten Holocaust of World War II by Iris Chang (review by Andrew R. ’17)

The Rape of NankingThe Rape of Nanking by Iris Chang
My rating: 3 of 5 stars

Iris Chang’s account of the Rape of Nanking, the month-and-a-half-long period of looting, barbarism, and murder after Japanese forces captured the then-capital of China in 1937, is the first book of its kind to be published in English. Part of the reason for this appalling lack of coverage of the massacre in the United States is that certain details, like the exact death count (somewhere in the hundreds of thousands), are still debated and may never be known for sure; Japanese officials’ ongoing reluctance to acknowledge the episode, as well as the intense pain associated with it for the families of all involved, have also prevented it from being intensely studied by American historians. Chang’s book, then, is enormously important in that it fills a gaping hole in the library of English-language studies of World War II, but that doesn’t mean I’d recommend it. The Rape of Nanking is painful to read, with its graphic descriptions of mutilation and abduction and its photos of the episode’s victims, alive and dead; the early chapters especially are as unpleasant and intense as they are informative. This is a brave book, an important book, but you should know what you’re getting into before you pick it up.

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The Pentagon’s Brain by Annie Jacobsen (review by Enya L. ’19)

The Pentagon's Brain: An Uncensored History of DARPA, America's Top-Secret Military Research AgencyThe Pentagon’s Brain: An Uncensored History of DARPA, America’s Top-Secret Military Research Agency by Annie Jacobsen
My rating: 4 of 5 stars

The Pentagon’s Brain: An Uncensored History of DARPA, America’s Top-Secret Military Research Agency, is original, provocative, and unforgettable. Starting with the nuclear device Castle Bravo, to the biomedical engineering of limb regeneration, Annie Jacobsen takes us behind-the-scenes to show what military technology is really doing. As a history book, this book was far from boring. Jacobsen’s writing is fluid and nothing like the writing in textbooks. The topics outlined in the book are very interesting and sometimes altogether shocking. However, given Jacobsen’s reputation, some scenes, I felt, strayed a bit far from reality. While most of the facts were taken from many sources, some “facts” only came from one source. All in all, whether you take it as fact or fiction, The Pentagon’s Brain is a very enjoyable ride.

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The Fire Next Time by James Baldwin (Review by Daphne Y. ’16)

The Fire Next TimeThe Fire Next Time by James Baldwin
My rating: 5 of 5 stars

The Fire Next Time, written by the legendary 1960’s Civil Rights advocate James Baldwin, is a book every adolescent and young adult living in the United States should read. For the first half of his book, James Baldwin writes a letter to his nephew who is incarcerated, trying to inspire him to transcend anger in dealing with an unjust society. In the second half, the author writes about his own childhood growing up as an African-American boy in Harlem, and also his views upon the influence of Christianity on race relations. Though published in 1963, the book brings to light a problem that still exists today: a broad recognition of the inequity between races, but hardly any cooperation or a change in mindsets to be made. This book, with all its emotions, from thrilling to frustrating, is definitely something we should all read to educate ourselves about the state of our society, not just in the past, but also in the present.

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I Know Why the Caged Bird Sings by Maya Angelou (review by Andrew R. ’17)

I Know Why the Caged Bird SingsI Know Why the Caged Bird Sings by Maya Angelou
My rating: 5 of 5 stars

Maya Angelou, the beloved and decorated author who passed away just under a year ago, is known equally well as a poet and a memoirist, but reading I Know Why the Caged Bird Sings has left no doubt in my mind as to which part of her legacy is more accurate. Dr. Angelou was a poet. Yes, Caged Bird is a prose memoir, one that spans Angelou’s adoption by her grandmother (at age three) to the birth of her first child (at age 17), but the book is written like no autobiography I have ever encountered: the language possesses a lyricism and a flow that very little poetry, much less prose, can lay claim to. In fact, Caged Bird often felt like a long, simple poem, free of the intimidating erudition that so often accompanies book-length verse. Although Angelou writes in the voice of maturity, her narrative convincingly portrays the confusion of a young black child in the Deep South—and the portrait of racism that results is painful and jarring. Caged Bird is more than the sum of its parts: it’s not a poetic memoir or an autobiographical poem, but a beautiful and frightening vision of our country’s past. – Andrew R.’17

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I Am a Strange Loop by Douglas R. Hofstadter (review by Andrew R. ’17)

I Am a Strange LoopI Am a Strange Loop by Douglas R. Hofstadter
My rating: 4 of 5 stars

In I Am a Strange Loop, Pulitzer Prize-winning professor Douglas Hofstadter proves that nonfiction doesn’t necessarily have to be built on fact; without much more than a lattice of elaborate metaphors and classical allusions to support the credibility of his arguments, he makes a case that’s both cogent and convincing. It boils down to this: in a brain comprised of complex neural symbols, the concept of “I” (also referred to as the “soul” or “self-symbol”) is a self-referential feedback loop of indefinite duration. Hofstadter presents a host of comparisons to better illustrate his abstract point, invoking repeatedly the ideas of a spring-loaded domino circuit, a video camera that points to its own screen, and, most effectively, a famous self-referential theorem by the mathematician Kurt Gödel. (Three chapter are spent providing mathematical context alone.) It’s in these creative metaphors that Hofstadter is most at home, and every time he spins off on a bizarre tangent you can be sure he’ll twist it to make his point even more forceful. In the end, his most abstract ideas were a little hard to swallow, but it’s easy to respect and value his arguments without totally agreeing with them. – Andrew R. ’17

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