Tag Archives: Horror

Misery By Stephen King (Review By Lana T. ’27)

MiseryMisery by Stephen King
My rating: 4 of 5 stars

Stephen King undoubtedly has one of the best resumes of any author, with works like The Shining, Carrie, and The Shawshank Redemption standing out as his best works. However, recently I came across one of his vastly underrated books, Misery. It tells the story of an author, Paul Sheldon, and one of his extremely devoted fans, Annie Wilkes, who saves him from a car crash. Slowly, Annie’s intentions seem less like those of a concerned fan who nursed him back to health out of the goodness of her heart, and more like an obsessive, temperamental monster who would rather break her toys than share them. Annie’s behavior masterfully escalates, and the reader is left in horror of what she will do next, or if Paul can make it out of her house alive. The book is a masterclass in suspense, with the scenes that shine being the moments where Paul sneaks around the house, doing his best not to make any noise. The entire time, the reader is on the edge of their seat, just waiting for Annie to jump out from behind a corner and for Paul’s luck to run out.
Misery masterfully keeps the reader in suspense for most of the story, and Annie’s cruel behavior results in one of the most vindicating endings of any novel I’ve read. My only true problem with the book is it sometimes becomes a story within a story, with Paul’s novel that he’s being forced to write taking up chapters. I found this story much less compelling than the one that took place in the prison of Annie’s house. These chapters, while a nice break from the tension in the house, sometimes broke my engagement with the book, especially when they went on for an exceedingly long time. However, Stephen King makes these chapters occasionally worth it with the small textual details that remind us of the reality this book is being written in. As Paul’s typewriter slowly loses letters, the chapters of the book are left with more and more spaces, reminding us of how much time has passed.
Annie Wilkes is one of the most terrifying villains in literature, with her mood swings and violent nature keeping me glued to my seat. As the reader, we spend all our time with Paul, and feel his helplessness in moments where Annie gets mad, as he is unable to do anything about it. Oftentimes gory and uncouth, the book does a brilliant job of showing us how indomitable Annie is, and the miracle it would take for Paul to make it out. The characters are what make this book shine, and it’s no wonder Kathy Bates won an Oscar for her portrayal of Annie in the movie. Misery might be my favorite Stephen King novel, as no work of his has left me so nervous for the fate of the protagonist, or so joyous at the fall of the villain.

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The Metamorphosis by Franz Kafka (Review by Urvi S. ’27)

The MetamorphosisThe Metamorphosis by Franz Kafka
My rating: 4 of 5 stars

What would you do if you woke up in the shell of a beetle? Maybe you would panic, immediately call for help, and doom yourself to a short-lived life when you are crushed as soon as your transformation is revealed. Maybe you would remain calm, try to survive, scuttle out into the world, and live the rest of your life as a bug, surviving by the skin of your teeth. In Kafka’s novella The Metamorphosis, Gregor Samsa is placed in this uncomfortable dilemma. In part due to the engaging foreword by David Cronenberg (a prominent movie director whose focus is, fittingly, body horror) and the exceptional new translation by Susan Bernofsky, Kafka’s gruesome story comes to life.

While often considered just another ‘boring’ classic, this novella is engagingly tragic. One morning, Gregor Samsa wakes up in a beetle body. What does he do? Nothing. However, in his frankly unbothered reaction, there is a deep-rooted commentary on the harsh monotony of life, the need to maintain a constant routine throughout tragic events, and the obligation to maintain a constant image and projection of normalcy in fear of alienation and disregard. Even with this underlying theme, Kafka and Bernofsky retain the ironic humor that is a trademark of Kafka’s works. Interwoven within the sorrowful tragedy is an ironic sense of acceptance.

In Gregor’s search for acceptance, and in his futile attempts to communicate and reveal his true nature, he further separates himself from “normal” people. Once severed from a human appearance, he cannot renew the relationships that he lost. Now that he is different from the others, attempts to reach out are seen as attempts to harm, providing more material for other people to convince themselves that they are the ones in the right and that Samsa has been replaced with a monster.

Translations, as a whole, are quite hit-or-miss. When translating a work from another language, one often obscures the style and clarity of the original work. In this translation, however, the eccentric style of Kafka still shines through. Bernofsky does an outstanding job of conveying the obscure, and sometimes vague, descriptions and metaphors. Although some concepts are hard to preserve, her afterword, entitled “The Death of a Salesman”, explains the historical context and some of the more difficult ideas exceptionally well.

Overall, I really enjoyed the concept and writing style of this novella. For such an odd concept, Kafka manages to write a humorous and engaging piece of literature. The wording and prose are especially striking. In the confluence of Kafka and Bernofsky, a beautiful piece of writing emerges. I would highly recommend this piece to anybody looking for a work that is humorous yet saddening at the same time. —Review by Urvi S. ‘27

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Tender is the Flesh by Agustina Bazterrica (Review by James B. ’24)

Tender is the FleshTender is the Flesh by Agustina Bazterrica
My rating: 4 of 5 stars

Before reading this review or the novel itself, I caution you because it is classified as psychological horror and contains many disturbing themes, such as cannibalism, animal abuse, and sexual assault. I will also briefly mention these in my review, but nothing nearly as explicit as the novel itself.

Tender Is the Flesh is a psychological horror novel by Agustina Bazterrica featuring a dystopian future in which a virus carried by animals, livestock in particular, proves lethal to humans. In an attempt to curb the massive death count, the livestock industry halts all production and all animals capable of carrying the virus are slaughtered, including domestic animals as well as wild ones. Marginalized groups start to go missing as the demand for meat arises, and due to pressure from the livestock and animal product industries, the Government legalizes the breeding and processing of humans for food.

The story is fed to us through the perspective of a higher-up at a human processing plant several years after the “Transition” occurs, when the industry has already picked up steam the the government and media have successfully coerced the general public into viewing it all as normal and consuming the “special” meat. Marcos Tejo, the protagonist, goes about an eventful week at his job with a chilling aloofness as the reader is introduced to the horrors of this potential future, alongside commentary primarily featuring Marcos’ own misgivings as well as his struggle with his father’s dementia and wife’s grief after the loss of their child.

Even as I sat, enthralled, by the both direct and implicit horrors of the dystopia, I couldn’t help but to admire the terrible beauty that this book was. Unlike a lot of other disturbing media I’ve consumed, the characters were complex and compelling, storylines weaving together like sinews to bone to form one whole intricate machine of a story. It also didn’t rely on shock value for depth, laying out all its gory cards on the table where similar books hold them to their chest. The simplicity of the concept left the reader to strip from it the humanity until the bare commentary is shown, an addictive quality that had me finishing it in only a little over a day.

Without revealing too much of the plot, grotesque details combined with coerced normality paint a gruesome tale of grief, guilt, and the ease with which change comes if the right parties are enforcing it. Marcos is by no means a hero but he presents a sympathetic front as a part of the majority who were made uneasy by the Transition, but don’t openly oppose it. At times he is obviously unreliable and I wouldn’t say I was ever rooting for him, and yet I still felt a sting of betrayal by the end of the book.

In conclusion, Tender Is the Flesh is not a novel for the faint of heart or weak of stomach, but I would consider it a somewhat introductory read for those interested in psychological horror or disturbing media in general. One of its best qualities in my opinion is that the story holds its own outside of the horror, and I can imagine it would be a great read for its social commentary alone. For the avid horror fans, I will admit that I found it to tame considering what I’d heard about it, but it’s still fairly skin-crawling and certainly a novel concept that reaches beyond the usual scares.

Happy(?) reading! -Review by James B. ’24

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Creep by Eireann Corrigan (Review by Varun F. ’24)

CreepCreep by Eireann Corrigan
My rating: 2 of 5 stars

Eireann Corrigan’s Creep is a horror novel revolving around the haunted 16 Olcott Place, and its written in a first person point of view from a neighbor of 16 Olcott Place, Olivia.

Let’s start off with the positives. The characters, albeit one-dimensional, are likable and tend to make realistic decisions during the story. The first-person perspective is easy to relate with, and the descriptions of 16 Olcott Place are incredibly illustrative. In addition, Corrigan’s writing style, with frequent uses of foreshadowing, work perfectly within this novel.

When I picked this book up from the library and read through the quick summary on the back of the cover, I expected the novel to have supernatural themes. I was intrigued by “the Sentry” and his mysterious notes, but my excitement was sadly unjustified. The book had no supernatural elements at all, and the only point of conflict between the antagonist and protagonists was at the end of the book. Due to these two elements of the book, I didn’t feel like I was reading a horror novel at all, as it lacked the much-needed scare factor.

I have nothing against this novel, but I certainly won’t be recommending it in the future.—Review by Varun F. ’24

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The Picture of Dorian Gray by Oscar Wilde (5 Star Review by Ananya B. ’23)

The Picture of Dorian GrayThe Picture of Dorian Gray by Oscar Wilde
My rating: 5 of 5 stars

The Picture of Dorian Gray is a philosophical novel featuring main characters Basil Hallward, Lord Henry Wotton, and of course, Dorian Gray. Basil Hallward is an artist who paints a portrait of Dorian Gray, and Lord Henry is a friend of his who has extremely questionable morals and ideals, unlike those that Dorian has been exposed to before. I loved this book, mostly because of the characters themselves.

First, we have Dorian Gray, who starts off the novel as a young, naive, child-like character, but he undergoes many changes and a great deal of character development throughout the novel, mainly under the influence of Lord Henry. I honestly cannot tell if I loved or hated Lord Henry, who brings up numerous witty and intelligent insights and ways of thinking. He corrupts Dorian with his deplorable deeds and persuasive words.

Next, there is Basil, who is the foil to Lord Henry, serving as the angel to his devil. The relationships between the characters, their interactions, and how they influence each other was engrossing, although I would have liked to have seen more of Basil and Dorian.

My one main criticism of the book is that Wilde sometimes goes on long tangents describing furniture, tapestries, and other such things. However, Wilde explores the themes of depravity, corruption, and hedonism in an enthralling and captivating way, forcing the mind to think about different philosophies and their effect on a person such as Dorian. —Review by Ananya B. ‘23

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The Twisted Ones by T. Kingfisher (Review by Hita T. ’23)

The Twisted OnesThe Twisted Ones by T. Kingfisher
My rating: 4 of 5 stars

Melissa, known to close family and friends as Mouse, only had one job: clean her late grandmother’s house in North Carolina. Her grandmother was unfortunately a hoarder, but she could clean it up. No problem at all. However, in the process, she discovers her late step-father’s journal, which is filled with seemingly nonsensical rants. Mouse is quick to disregard the rambling, chalking it up to his deteriorating health, but when strange happenings start to occur, it becomes increasingly clear that perhaps his journal held more than just the ramblings of an old man. Driven to figure out what’s going on and spooked by an unplanned night stroll (courtesy of her dog Bongo), Mouse begins to uncover secrets in the woods, and the deeper she digs into it, the more terrifying it becomes…
Kingfisher does a brilliant job of spinning a modern take on the folklore of The White People, as it is horrifying yet entertaining at the same time. The narrative is filled with realistic humor and conversations and during the more action packed scenes, the reaction seems to be just right; there is no exaggeration of fear nor is there apathy towards the events. Even though I’m not the most avid horror reader, I absolutely loved this book and would definitely recommend it. —Review by Hita T. ’23

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Devolution by Max Brooks (review by Mrs. Vaughan)

Devolution: A Firsthand Account of the Rainier Sasquatch MassacreDevolution: A Firsthand Account of the Rainier Sasquatch Massacre by Max Brooks
My rating: 4 of 5 stars

A small group of Seattleites populate a new community on the slopes of Mt. Rainier, enjoying both the beauty of their natural surroundings and excellent electronic connectivity. Necessities are delivered regularly by helicopter, which can also ferry them to first class medical attention if needed. Perfect, right? Not so much when Mt. Rainier erupts unleashing disaster and cutting off these pilgrims from their supply chain. Worse yet – the shrinking natural environment has precipitated a conflict between them, and folklore become real: a small but hungry band of Bigfoot.
Fans of Max Brooks’ World War Z may be a bit disappointed in his long-awaited effort – another fictionalized oral history of Armageddon, just a different setting. Still, this sophomore attempt is, like his first, cleverly written. Here the oral histories take backseat to the found journal of resident Kate Holland, creating a more consistent through line than Z. Brooks has done his legwork (again) and weaves in much historic, folkloric, and scientific research about the Yeti, the Sasquatch and less familiar versions of the oversized primate. Characterization is varied, dialogue rings true and the suspense is palpable. True, this is not World War Z, but Brooks’ fans and horror fans won’t want to miss it! — Mrs. Vaughan

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We Have Always Lived Here by Shirley Jackson (review by Andrew R. ’17)

We Have Always Lived in the CastleWe Have Always Lived in the Castle by Shirley Jackson
My rating: 5 of 5 stars

There’s a malicious presence in the Blackwood estate, the imposing structure on the outskirts of town inhabited by the only surviving members of a reclusive aristocratic family. It might be wheelchair-bound Uncle Julian, who constantly relives the day most of his family dropped dead of arsenic poisoning. It might be Constance, who hasn’t left the estate in six years and is fanatically devoted to the rules of etiquette. It might even be Merricat, the younger sister, who surrounds the estate with wards and totems to keep the rest of the world at bay. Jackson is best-known today for “The Lottery,” her horrifying story of small-town insularity gone wrong, but of all her notoriously creepy works this one deserves the most attention. Its suspense works in two directions: the reader discovers unsettling details about the past even as the narrative creeps toward a chilling climax, leaving the present moment doubly uncertain and doubly tense. The question of who sprinkled arsenic in the sugar bowl is pretty easily answered, but don’t be fooled—that apparent mystery is just a diversionary tactic to let more frightening revelations approach unnoticed. Even if horror isn’t your genre of choice, as Halloween approaches, Shirley Jackson’s novels are worth a try. – Andrew R. ’17

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The Haunting of Hill House by Shirley Jackson (review by Andrew R. ’17)

The Haunting of Hill House The Haunting of Hill House by Shirley Jackson
My rating: 4 of 5 stars

No one who’s read Shirley Jackson’s short story “The Lottery” is likely to forget it anytime soon: even sixty-five years after its explosive debut, the narrative of sinister small-town ritualism retains an impressive staying power that makes it as jarring to modern readers as it was to its original audiences. Shirley Jackson draws on the same arsenal of subtly suspenseful plot devices in her 1959 novel The Haunting of Hill House, in which the scarred and unstable Eleanor Vance joins a research party to live in a crumbling Victorian mansion for the summer. Part Edgar Allen Poe and part Henry James, this psychological ghost story isn’t quite a horror novel, at least not in the Stephen King sense; its terror, as in “The Lottery,” is so understated that the full force of the book’s scariest scenes isn’t likely to manifest itself until days after you’ve read them. (From what I’ve heard, Jackson’s last novel, We Have Always Lived in the Castle, ramps up this creepiness to an even more intense and chilling pitch.) For a haunted-house story, this novel is very strong, and rates only one notch below “The Lottery” in its quality and spine-tingling effect.

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The October Country by Ray Bradbury (review by Lauren L. ’17)

The October CountryThe October Country by Ray Bradbury
My rating: 3 of 5 stars

The October Country is a collection of short stories in which Bradbury explores the consequences of reality as we know it brushing against a supernatural world. Each story is different – some characters respond with fear, some a determined naiveté and courage. Through them, he explores the flaws and habits of humanity in general as well as of commonplace qualities of the average person. Not every story is as enjoyable as it might be, and in some ways, the stories are too predictable, not in the unimaginative zombie apocalypse or haunted house sort of way, but in that it’s fairly obvious where the plot is going. Nevertheless, they are worth the read. Anyone who enjoys both the supernatural and horror (even if it’s not all that scary) would enjoy The October Country. – Lauren L. ’17

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