Tag Archives: Realistic Fiction

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Tell Me Again How a Crush Should Feel by Sara Farizan (review by Jenny B. ’16)

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Tell Me Again How a Crush Should FeelTell Me Again How a Crush Should Feel by Sara Farizan
My rating: 4 of 5 stars

Tell Me Again How a Crush Should Feel is a fantastic book, one of the only good books I’ve found that includes a lesbian romance. Aside from the love story, however, the book lacks interest. Its somewhat clichéd series of events could happen in any YA book and some of the character development was not believable. Despite its shortcomings, I loved the romance and the way the book portrayed real feelings that teenagers experience, awkwardness included. The book follows Leila, a young Iranian girl, on her journey of self-discovery. She makes new friends and participates in ever fun high school romances, and finds her ‘love nugget’. It will appeal to anyone looking for a cheerful LGBT YA romance, or anyone bored on a long bus ride.

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Mr. Potter by Jamaica Kinkaid (review by Andrew R. ’17)

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Mr. PotterMr. Potter by Jamaica Kincaid
My rating: 2 of 5 stars

Mr. Potter is the story of an illiterate Antiguan chauffeur whose father was long-gone by the time of his birth, whose mother drowned herself when he was still a young child, whose clients are disdainful of his social status and the color of his skin, and whose illegitimate daughters are strangers to him because he abandoned every one of them, just as his own father abandoned him. One of these daughters narrates this novel from a distance—a distance of time, since her father died years prior (we watch her visit his grave), but also an emotional distance that causes her to treat him with a mixture of pity and contempt and guarded affection. The best one can say about Mr. Potter as a novel is that it’s lyrical; in fact, it takes lyricism and extends to an almost illogical extreme. In the interests of lyricism, then, our narrator repeats the same facts and phrases five or six times in the same sentence. “Mr. Potter was my father, my father’s name was Mr. Potter,” she tells us at least once every chapter. It’s an interesting technique, certainly, and one that lends a certain power to this novel, but more often than not it turns Jamaica Kincaid’s otherwise impressive prose into a sticky morass.

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The Goldfinch by Donna Tartt (review by Tiffany Z. ’17)

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The GoldfinchThe Goldfinch by Donna Tartt
My rating: 4 of 5 stars

Something has to give in the life of young Theodore Decker, who, at the novel’s opening, has but one reliable companion: his mother, artistic and compassionate, reverent toward the Renaissance masters yet never condescending to her apartment’s two doormen. In one trick of Fate, this bulwark is ripped away, and Theodore finds a new anchor thrown into his arms: Carol Fabritius’ masterpiece painting, The Goldfinch. Throughout his turbulent life, from his troubled stay with sometime friend Andy Barbour, to thrilling (if alcohol-filled) teenage years alongside the passionate intellectual Boris Pavlikovsky, to evenings sealing sketchy deals on antique furniture in order to clear his associate’s debts, the painting remains the undercurrent of Theodore’s life. When the disparate storylines eventually converge, it is Fabritius’ Goldfinch that unifies them. Tartt’s artistic language enlivens the novel, from the smallest details of Sheraton furniture to the greatest messages about the art of life. She exposes the elusive art of living to one’s fullest and the beautifully bizarre twists that life reveals to those who explore it. While some critics might argue that this intricate work is nothing but a series of crude brushstrokes upon close inspection, The Goldfinch will no doubt strike a chord with anyone who appreciates the beauty and mystery of art.

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Hold Tight, Don’t Let Go by Laura Rose Wagner (review by Andrew R. ’17)

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Hold Tight, Don't Let Go: A Novel of HaitiHold Tight, Don’t Let Go: A Novel of Haiti by Laura Rose Wagner
My rating: 3 of 5 stars

Hold Tight, Don’t Let Go begins with a strangely subdued account of the catastrophic earthquake that killed more than 100,000 Haitians on January 12, 2010. Over the course of a few pages, the teenage narrator, Magdalie, witnesses the almost instantaneous leveling of the city of her childhood. But the reader can’t comprehend the magnitude of the tragedy until, months later, Magdalie forces herself to sit down and pour her memories onto the page, even as she admits that, “It doesn’t change anything if I write it down or not … It doesn’t change a thing.” Only here does the reader stop and say, Oh—she is upset, she is scarred, this is a tragedy. It hurts to read the passage: we feel Magdalie’s pain. The rest of the novel follows a similar trajectory. Intense emotion is the most important element of a story that deals with a disaster on this scale, and while that emotion is very often deferred by stumbling plot-lines and flat characters, it’s never forgotten. Sooner or later, the author’s point hits home, and we can’t help but feel empathy for Magdalie and the hundreds of thousands of real-life Haitians in her situation. In that respect, at least, Hold Tight, Don’t Let Go is a success.

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Good Enough by Paula Yoo (review by Melissa K. ’18)

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Good EnoughGood Enough by Paula Yoo
My rating: 4 of 5 stars

High school students can relate to Patti Yoon, a high school senior juggling six AP classes, SAT boot camp, and college applications. At her Korean church youth group, overachieving is the norm and everyone has their own unique “hook” into the Ivy Leagues: Lisa Kang is a nationally ranked fencer; Isaac Rhee is the captain of the academic decathlon team at his high school; Sally Kim is a Siemens Competition winner. Patti’s “hook” into college is her violin. As a B-tier violin prodigy, she is the concertmaster of her youth orchestra and considered one of the best violinists in Connecticut.

However, Patti’s seemingly predetermined life takes a turn when she meets Ben Wheeler, a trumpet player who invites her over for jamming sessions, takes her to a punk concert, and encourages her to apply to Juilliard even though her parents think that a career in music is too risky. Sprinkled with Spam recipes, SAT tips, and lists of ways to “Make Your Korean Parents Happy,” Good Enough is a candid and surprisingly funny take on the pressures facing today’s high school students. – Melissa K. ’18

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The Crystal Fountain and Other Stories by Malachi Whitaker (review by Andrew R. ’17)

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The Crystal Fountain & Other StoriesThe Crystal Fountain & Other Stories by Malachi Whitaker
My rating: 3 of 5 stars

Sometimes being forgotten is almost an honor in the literary world. It’s an invitation to be rediscovered decades after one’s death, then to enjoy revival as a cult favorite before breaking triumphantly back out into the mainstream market. When I read my first Malachi Whitaker short story, “Landlord of the Crystal Fountain,” I was sure I’d stumbled upon one of these forgotten masters: despite the near-impossibility of finding any of her work, which hasn’t been collected since the mid-1980s, the story’s flowing language (not to mention its intriguing title) indicated that Whitaker’s work deserves much more attention than it’s been given. The Crystal Fountain and Other Stories is one of very few collections by Whitaker that’s still in circulation, so I sought it out and devoured all its stories over the course of a few days, searching for the quality that had made the title story so appealing. What a disappointment to discover that the other stories were nearly indistinguishable in their plots: rural Britain, lonely working-class woman, innocent dreams developed for several pages then suddenly crushed. That’s not to say the stories weren’t enjoyable, but, unlike “Landlord of the Crystal Fountain,” they weren’t quite worth the effort taken to procure them. – Andrew R. ’17

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Walk Me Home by Catherine Ryan Hyde (review by Melissa K. ’18)

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Walk Me HomeWalk Me Home by Catherine Ryan Hyde
My rating: 4 of 5 stars

After their mother dies, two sisters Carly and Jen trek from New Mexico to California in hopes of living with her ex-boyfriend. Trying to dodge Child Protective Services, they risk hitchhiking with strangers, dehydration in the desert, and stealing for sustenance. They pass small towns and encounter an odd variety of people, whose quirks are the highlight of the novel. Even the minor characters have distinctive voices. Catherine Ryan Hyde manages to convey regional accents so naturally that the reader barely notices them. The downside of the novel was the overuse of fragments, which distracts from the plot. If that annoys you, avoid this book. Otherwise, Walk Me Home is an easy, satisfying read. – Melissa K. ’18

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The Sense of an Ending by Julian Barnes (review by Lauren L. ’17)

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The Sense of an EndingThe Sense of an Ending by Julian Barnes
My rating: 4 of 5 stars

The Sense of an Ending is a remarkable story spanning forty years stemming from the protagonist’s acquaintance with a man he had known for less than a decade before the man unexpectedly commits suicide. It is blunt in its telling, the protagonist exposing his own ignorance throughout life as well as the many inadvisable decisions he had made and interspersing among them happier memories. It is refreshing to see his joys and regrets, all reluctantly accepted, and they reveal what he truly values in his life. The ending is unexpected and somewhat confusing; however, when the full implications of what had happened are understood, the shock value is enough for the book, and the questions it provokes, to linger in the reader’s mind for days afterward. Though it may not be enjoyable for all, I firmly believe that everyone should at least read the first few pages before deciding definitively whether or not The Sense of an Ending is to their taste. – Lauren L. ’17

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Cat’s Eye by Margaret Atwood (review by Elizabeth S. ’16)

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Cat's EyeCat’s Eye by Margaret Atwood
My rating: 5 of 5 stars

Cat’s Eye details the life of stream-of-consciousness narrator Elaine as she reflects as an aged artist on her years growing up in the time after World War II in Toronto. Elaine has recently returned to Toronto in order to manage a retrospective gallery of her own critically acclaimed work. She reconnects with specters from her past, like the phantom Cordelia who tormented her as a child, whom she now sees and hears everywhere she goes even though she is long gone. Atwood captures Elaine’s apathetic, passerby-like thoughts and describes her world in the most visceral way, making her writing a true joy to behold as it brings the story to life. Atwood also uses Elaine as a lens through which she can explore her own judgments and thoughts about growing up as a girl through elementary, middle, high school, and university, finding love, hate, strength, and weakness in all of these events that seem so cataclysmic when undergone for the first time. Cat’s Eye is a true masterpiece, recommended to anyone for a more adult spin on a coming of age story.

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Wintergirls by Laurie Halse Anderson (review by Elizabeth S. ’16)

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WintergirlsWintergirls by Laurie Halse Anderson
My rating: 4 of 5 stars

Though intimidating because of its subject matter, Wintergirls yields a reward high enough at the end to make reading it well worthwhile. Anderson’s writing is always visceral and heartbreaking, but the harsh reality of eating disorders makes it even more gritty. When I was not transfixed by the story, I was admiring Anderson’s writing style and the perfect way that she captures the first person speaker, Lia. Lia’s best friend Cassie was recently found dead in a motel room of an overdose. The book details their past together, including Cassie’s bulimia (which eventually led to her downfalll), Lia’s anorexia, and the pact they made together when they were younger. Lia’s anorexia resurfaces, for the guilt that Lia feels about Cassie serves as a trigger. The author’s voice is strong in this book, with truly believable characters and a singular writing style. I recommend this book to any reader looking to really feel for a character and who isn’t at risk of being triggered by the subject matter. – Elizabeth S. ’16

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